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Unearthing tracks from the seemingly endless gold mine of Brazilian gems, the compilation features legends such as \u003c\/span\u003e\u003cstrong\u003eJorge Ben\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eGretchen\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eMarcos Valle\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003eRobson Jorge \u0026amp; Lincoln Olivetti\u003c\/strong\u003e\u003cspan\u003e, alongside unsung heroes including \u003c\/span\u003e\u003cstrong\u003eZé Carlos\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003eCarlos Bivar\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":55242866131279,"sku":"3574","price":27.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Horse_Meats_Disco_Presents....png?v=1749030282"},{"product_id":"aguia-nao-come-mosca-1","title":"Aguia Nao Come Mosca","description":"","brand":"Azymuth","offers":[{"title":"Default Title","offer_id":55245030326607,"sku":"3588","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Aguia_Nao_Come_Mosca_Azymuth.png?v=1749047278"},{"product_id":"ritmo-y-sabor","title":"Ritmo Y Sabor","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eProudly presenting our reissue of the sought-after 1978 album 'Ritmo Y Sabor' from Cuban, master bongo player, Manteca. A deep, hypnotic, sonic excursion of Afro-Cuban\/mambo rhythms to get lost within. Released in 1978, there are a number of different pressings of the album coming out on labels including GRC, Desca Records and Sound Triangle Records. Stripped-back and low-fi, this is a pulsating hit of instrumental Latin-jazz dance magic.\u003cbr\u003e\u003cbr\u003ePredominantly made up of just percussion and bass, the album comes courtesy of Carlos \"Rico\" Ramirez on bass, Carlos Patato on congas, timbales by Nelson Padron and Lazaro Pla aka Manteca as band leader. A Cuban legend, Manteca rose to fame playing with Ernesto Lecuona and the Cuban Boys. Although he featured on numerous recordings in his home of Cuba, only a handful exist of his as featured soloist or band leader.\u003cbr\u003e\u003cbr\u003eA whirlwind of percussive brilliance, 'Ritmo Y Sabor' is brimming with energy regardless of the tempo of the track. An instantaneous ability to make you move, the grooves come alive with each new rhythm introduced. Take for instance, the track 'Afro Funky' that more than lives up to its name. A breakbeat Latin-funk workout, with a mighty fine walking bass line that provides the basis for the drummers to vibe off. Elsewhere, 'Rumbon En Casa De Cando' is fast and furious perfect for the jazz dance specialist, whilst 'Sabor A Mantecado' keeps you on your toes with its trance-like repetitive bassline and percussive interplay. 'Cosa De Manteca' is another heavy-Latin funk gem with a rough and raw feeling of relentless yet groove-driven percussion.\u003cbr\u003e\u003cbr\u003eA must-have Afro-Cuban, rhythmic funk triumph, that shows Manteca and his band in full flight\u003c\/span\u003e\u003c\/p\u003e","brand":"Manteca","offers":[{"title":"Default Title","offer_id":55245790937423,"sku":"3607","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Ritmo_Y_Sabor_Manteca.png?v=1749054542"},{"product_id":"conflict","title":"Conflict","description":"","brand":"Ebo Taylor \u0026 Uhuru Yenzu","offers":[{"title":"Default Title","offer_id":55558565167439,"sku":"3822","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/a2585325512_10.jpg?v=1752681068"},{"product_id":"akuma-ga-kitarite-fue-wo-foku","title":"Akuma Ga Kitarite Fue Wo Foku","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e‘Akuma Ga Kitarite Fue Wo Fuku' is the soundtrack to Kôsei Saitô’s 1979 film ‘Devil’s Flute’, composed by legendary Japanese jazz figure Hozan Yamamoto with assistance from keyboard player and producer Yu Imai. Taking the available technology of the era to its limits, the pair deliver a sumptuous sonic stew of funky breaks and disco-influenced rhythms.\u003c\/p\u003e","brand":"Hozan Yamamoto \u0026 Yu Imai","offers":[{"title":"Default Title","offer_id":55768574329167,"sku":"3972","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/189082-hozan-yamamoto-yu-imai-akuma-ga-kitarite-fue-wo.jpg?v=1755702084"},{"product_id":"breaking-atoms","title":"Breaking Atoms","description":"\u003cp\u003eThirty years after its original release, Main Source’s debut album Breaking Atoms has lost none of its capacity to surprise or delight. It remains a prime example of a classically styled hip-hop LP - two DJs, one MC, 11 tracks, no flab or filler. It wasn’t a slow burner - it was adored on release and hasn’t left the top ten of any serious rap fan ever since. \u003c\/p\u003e\n\u003cp\u003eWhat makes it so special? Perhaps it’s in the group’s ear for a hook and sample, with Large Professor mounting a whole, celebrated career off the back of this gem. Perhaps it’s in the way he manages to balance bragging with more political, thematic tracks such as ‘Just a Friendly Game of Baseball’ and ‘Peace is not the Word to Play’ without ever coming across as preachy. \u003c\/p\u003e\n\u003cp\u003eFew albums of this length are able to spawn four singles - all of them must-haves - while still having material galore on the album that could have been pressed as a 12”. ‘Snake Eyes’ ‘Vamos a Rapiar’ and ‘He Got So Much Soul (He Don’t Need No Music) could have been singles in their own rights, an embarrassment of riches. \u003c\/p\u003e\n\u003cp\u003eSample-wise, it’s all about the skillfully woven mixture of the obvious and the obscure, with a tapestry of samples approach that’s just not legally possible anymore. So while you might recognise a snatch of Donald Byrd’s ‘Think Twice’ on the timeless ‘Looking at the Front Door’, it’s layered with elements from Ken Lazarus, Detroit Emeralds, The Third Guitar and more. It’s an approach that pays constant dividends and rewards repeated listens. Presented in its original format, this is the essence of Breaking Atoms, one of the best albums in the long history of this genre.\u003c\/p\u003e","brand":"Main Source","offers":[{"title":"Default Title","offer_id":55768590156111,"sku":"3973","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/main-source-breaking-atoms-1st-us-vinyl-lp-album-record-wpl-2004-848104_1024x1024_jpg.webp?v=1755702212"},{"product_id":"beautiful-bamboo-flute","title":"Beautiful Bamboo Flute","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eEveryone’s getting in on the Japanese jazz reissues these days. Studio Mule, BBE and Mr. Bongo are just three of the labels who’ve delivered new editions of old LPs in recent years. The latter come through with the goods again in the form of \u003cem\u003eBeautiful Bamboo-Flute\u003c\/em\u003e, a 1971 rarity that saw the legendary shakuhachi (bamboo-flute) player Hozan Yamamoto team up with the Sharps And Flats - one of the country’s most celebrated big-bands. Together they create a bombastic and brilliant noise on \u003cem\u003eBeautiful Bamboo-Flute\u003c\/em\u003e, a large-ensemble fusion-funk style that really struts. Cracking stuff.\u003c\/p\u003e","brand":"Hozan Yamamoto with Sharps \u0026 Flats","offers":[{"title":"Default Title","offer_id":55768627020111,"sku":"3975","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/177876-hozan-yamamoto-with-sharps-flats-beautiful-bambooflute.jpg?v=1755702524"},{"product_id":"inteira-deluxe-edition","title":"Inteira (Deluxe Edition)","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIt began with a cassette tape entitled 'Pleased To Meet You' gifted to us at Sessa’s Fasching, Stockholm show by Yann Dardenne, the multi-tasking tour manager\/sound engineer\/producer\/merch stall worker and co-owner of Seloki Records. On first listen, the selection of underground Brazilian artists from the Seloki’s roster was superb, however, one song stopped us in our tracks. The hauntingly captivating ' GOSTO MEIO DOCE’ by Nina Maia and Francisca Barreto, gave us a taste of Nina's ethereal, addictive voice and we knew we needed to hear more. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBorn in Minas Gerais but now based in São Paulo, the 22-year-old has already packed a lot into a relatively short space of time. The singer, songwriter, instrumentalist, and producer, has already collaborated on the soundtracks for six Brazilian feature films, including a track with the vocalists Maria Gadú, Iza, and Liniker. But things enter a new exciting era with this, her remarkable debut album entitled 'INTEIRA', which translates to English as 'whole'. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Nina Maia","offers":[{"title":"Default Title","offer_id":55807818269007,"sku":"4046","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/a0782639065_16.jpg?v=1756303808"},{"product_id":"my-latin-soul","title":"My Latin Soul","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhen it comes to Latin soul, Bobby Matos And The Combo Conquistadores 'Tema De Alma Latina', has to be up there as one of the heaviest tracks ever recorded. This much-loved Latin workout has been rocking dancefloors for years with its infectious, driving energy and pulsating rhythms. Released in 1968, the 'My Latin Soul' album on Philips Records now receives a welcome reissue on Mr Bongo. It’s a sheer delight throughout and a premier example of the Nu Yorican sound that was thriving in New York in the ‘60s.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom a young age, the Bronx, New York-born Latin jazz percussionist Bobby Matos found inspiration through the conga drum masters Mongo Santamaría and Patato Valdez (who he had informal backstage lessons with) and timbales legends Willie Bobo and Tito Puente. Bobby was drawn into New York's club scene and began playing in the vibrant ‘60s beat \/ bohemian Greenwich Village cafes, followed by stints in a wide range of different venues. These included Bronx dance halls and after-hours clubs in El Barrio, through to the elegance of Carnegie Hall, Central Park concerts, and off-Broadway theatres.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLater relocating to Los Angeles, Bobby played an important role in spreading Latin music far and wide. He became an\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003einspiration to many on the jazz dance and acid jazz scenes in the ‘80s \/ '90s where his recordings were picked and played, becoming prized collector items amongst DJs. The track 'Tema De Alma Latina' was immortalised as a classic for many, after being featured on the Gilles Peterson’s Street Sounds Jazz Juice 5 compilation in 1987. A captivating listen from start to finish, the album features other treats such as the dynamic album opener ‘Nadie Baila Como Yo’, the blazing flute led 'Mambo Maxims', and the blistering piano shuffler 'Raices'.\u003cbr\u003e\u003cbr\u003eA truly iconic Latin classic whether you’re being reunited with it like an old friend or discovering it as a fresh new find.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Bobby Matos \u0026 The Combo Conquistadores","offers":[{"title":"Default Title","offer_id":55910993920335,"sku":"4121","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Bobby_Matos_The_Combo_Conquistadores_My_Latin_Soul.png?v=1757507896"},{"product_id":"sweet-sister-funk","title":"Sweet Sister Funk","description":"\u003cdiv\u003e\n\u003cdiv class=\"ecwid\" data-v-app=\"\" id=\"my-store-2706181\"\u003e\n\u003cdiv class=\"ec-storefront-v3 ecwid-no-touch ecwid-supports-cssanimations ecwid-lte-320px ecwid-lte-400px ecwid-lte-480px ecwid-lte-600px ecwid-lte-768px ec-size ecwid-responsive ecwid-no-dragndrop\" lang=\"en\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"ecwid-productBrowser ecwid-productBrowser-v3 ecwid-productBrowser-ProductPage ecwid-productBrowser-ProductPage-35015066\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"ec-wrapper\"\u003e\n\u003cdiv class=\"ec-store ec-store__product-page ec-store__product-page--35015066 ec-store__product-page--c0 ec-store__product-page--c143921550\"\u003e\n\u003cdiv class=\"ec-store__content-wrapper\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv itemscope=\"\" itemtype=\"http:\/\/schema.org\/Product\" class=\"product-details product-details--layout-sidebar-right product-details--description-basic\"\u003e\n\u003cdiv class=\"product-details__description\"\u003e\n\u003cdiv class=\"product-details-module product-details__general-info\"\u003e\n\u003cdiv class=\"product-details-module__content\"\u003e\n\u003cdiv itemprop=\"description\" class=\"product-details__product-description\" id=\"productDescription\"\u003e\n\u003cp\u003e\u003cspan face=\"Times New Roman\"\u003e\u003cspan size=\"3\"\u003eFrom the mid to late 60’s Sonny Lester was at the helm of some of the period’s most significant jazz music (Thad Jones-Mel Lewis Orchestra, Chick Corea, Duke Ellington’s 70\u003c\/span\u003e\u003csup\u003e\u003cspan size=\"2\"\u003eth\u003c\/span\u003e\u003c\/sup\u003e\u003cspan size=\"3\"\u003e\u003cspan\u003e \u003c\/span\u003ebirthday concert) and also some of the genre’s biggest hits (mostly from organist Jimmy Mcgriff). With the folding of the Solid State label in 1971 Sonny Lester formed the aptly named Groove Merchant label (named after the tune Jerome Richardson wrote for the Jones-Lewis Orchestra). He then produced some of the periods most notable soul\/jazz, jazz\/fusion from the likes of McGriff, Richard Groove Holmes, Reuben Wilson, Lonnie Smith to name but a few.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan face=\"Times New Roman\" size=\"3\"\u003eThis gem of an album from Ramon Morris, and one of the hardest to find on Groove Merchant, was recorded during what many people would consider to be the classic period for this particular brand of jazz\/funk\/soul\/fusion. It was recorded not long after he’d spent time with Art Blakey as a Jazz Messenger appearing on his 1972 Prestige album Child’s Dance along with Stanley Clarke and Woody Shaw. He then also recorded on the Woody Shaw album, also from 1972, Song Of Songs.\u003c\/span\u003e\u003cspan face=\"Times New Roman\" size=\"3\"\u003eHe now teaches at Carnegie-Mellon University in Pittsburgh, Pa.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan face=\"Times New Roman\" size=\"3\"\u003e\u003c\/span\u003e\u003cspan face=\"Times New Roman\" size=\"3\"\u003eOne of the rarest and best albums on Groove Merchant now available re-mastered on 180 gram vinyl.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ramon Morris","offers":[{"title":"Default Title","offer_id":56363848335695,"sku":"4356","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Ramon_Morris_Sweet_Sister_Funk.png?v=1762520876"},{"product_id":"scenario-7","title":"Scenario (7\")","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAll-time classic hip-hop of the highest possible grade from A Tribe Called Quest, featuring that verse from Busta Rhymes as part of Leaders of the New School, with Charlie Brown and Dinco D. Near-replica reissue of the prized, Germany-only 7” from 1992, cut loud.\u003c\/span\u003e\u003c\/p\u003e","brand":"A Tribe Called Quest","offers":[{"title":"Default Title","offer_id":56459112644943,"sku":"4382","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/a0131596135_16.jpg?v=1763566707"},{"product_id":"insane-in-the-brain-7","title":"Insane in the Brain (7\")","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eSo much legendary hip-hop begins with a misunderstanding. You might not realise it on first or even hundredth listen, but ‘Insane in the Brain’ is a diss track. What has become one of the hip-hop’s most iconic party anthems, and one of Cypress Hill’s biggest hits, started out with them taking offence at Chubb Rock.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHe’d flipped some of their lyrics on his own ‘Yabba Dabba Doo’ song in 1992 and the group didn’t like it. While B-Real’s lyrical attack on Chubb is subtle and almost subliminal, Sen Dog spends most of his verse making fat jokes at Chubb’s expense.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt’s a little known beef, hidden beneath the vast success of this single in 1993, with it reaching number one in the US rap charts and proving a pop hit worldwide too. At this stage, the group’s producer DJ Muggs had perfected an idiosyncratic sound all of his own, lending it to tracks for the likes of House of Pain and Funkdoobiest.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHere he melds samples from Sly and the Family Stone and The Youngbloods with a beat lifted from George Semper’s instrumental cover of ‘Get out my life, woman’. Those subtle songs are alchemised into a boot-stomping head-nodder that transcended hip\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e-hop to become a festival favourite, a rise that ended in Ned Flanders delivering the line, “this may sound just a teensy bit insane in the old membrane, Homer,” in The Simpsons.\u003cbr\u003e\u003cbr\u003eThe only official 7” of this was released in the Philippines, and fetches prices in the hundreds of pounds – this reissue puts a hip-hop classic in crate-friendly form.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Cypress Hill","offers":[{"title":"Default Title","offer_id":56459134337359,"sku":"4383","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/a3351930208_16.jpg?v=1763566913"},{"product_id":"i-know-you-got-soul-7","title":"I Know You Got Soul (7\")","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eWhile it’s undeniable that Eric B \u0026amp; Rakim crafted and concocted classic after classic back in the Golden Era of the late 80’s and early 90’s, very few of their records could ever be classified as ‘dancefloor fillers’. But that’s exactly what ‘I Know You Got Soul’ was.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe duo’s third single was released at a time when their debut LP, 1987’s ‘Paid in Full’ was already being hailed as a game-changer. Rakim’s smooth but sombre flow had introduced new phrases to the hip-hop lexicon, while the barrage of James Brown samples had declared open season on the Godfather of Soul’s back catalogue.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere were already stirrings of a backlash from the more frequently sampled artists at the time this came out, and the fact that it took not just its main hook but also its title from Bobby Byrd’s James Brown-produced 1971 single was almost like rubbing salt in the wound. The hip-hop fans and the dancefloor didn’t care – this played all summer long in 1987, elevating the group to a Soul Train performance.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOnly months after this dropped, the UK collective M|A|R|R|S turned Rakim’s “Pump up the volume” line into the basis of their own hit. Pop will eat itself.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe original 7” was released in a no-frills generic sleeve – this re-release comes with a brand new cover utilising some of Dan Lish’s trademark artwork.\u003c\/span\u003e\u003c\/p\u003e","brand":"Eric B \u0026 Rakim","offers":[{"title":"Default Title","offer_id":56459163042127,"sku":"4384","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/a0440705576_16.jpg?v=1763566975"},{"product_id":"jazz-thing-7","title":"Jazz Thing (7\")","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eWith the original UK 7” of this release now as rare as hen’s teeth, and with the group having recently ‘reformed’ for one last album together, the Mr Bongo replica re-release of this 1990 masterpiece by Gang Starr couldn’t be more timely.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe now-legendary duo of DJ Premier and Guru dropped this at the height of hip-hop’s sampling of jazz, which had led to a creative leap forward for the genre. Yet while others plundered in the dark, this instant classic wore its influences on its sleeve and paid verbal homage to the musicians they were sampling. The “melodious funk” of “Thelonious Monk” gets namechecked, while the track samples two of his records, including 1958’s Bop gem ‘Light Blue’.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile both versions presented here have common elements, the ‘Movie Mix’ – so-named for the song’s appearance on the soundtrack to Spike Lee’s mythic jazz biopic ‘Mo’ Better Blues’ – goes in a few different directions to the ‘Video Mix’. Rather than just drop in an instrumental for the B-side, DJ Premier instead shows his versatility by switching up the base track (Kool \u0026amp; The Gang’s 1971 ‘Dujii’) and layering in other samples. In more ways than one, his\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e virtuosity here echoes the improvisation of a jazz musician, akin to Denzel Washington’s Bleak in the movie.\u003cbr\u003e\u003cbr\u003eOf course, he’s not the only show in town. The late Guru’s voice is as mellifluous as an instrument itself here, his potted history of the genre and the artists of jazz delivered with his own unmistakable cadence. Without this record, would he have gone on to make his ‘Jazzmatazz’ projects?\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Gang Starr","offers":[{"title":"Default Title","offer_id":56459175723343,"sku":"4385","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/a2166195586_16.jpg?v=1763567063"},{"product_id":"the-world-is-yours-7","title":"The World Is Yours (7\")","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eStraight out the gate, Nas dropped a classic. Since the release of the seminal ‘Illmatic’ album in 1994, critics and fans have been wondering if Nas peaked too early and if anything in his subsequent catalogue could be held up against this masterpiece. To be fair, it’s hard to follow up something this flawless, a project that allied his most insightful, pitch-perfect heartfelt rhymes with the work of the best hip-hop producers on the east coast.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDJ Premier, Q-Tip from A Tribe Called Quest and Large Professor all take their turns on the album, along with the unsung L.E.S., but it’s Pete Rock in his prime who provides the stunning backdrop for the cinematic ‘The World is Yours’. It’s a perfect nugget of a single, weaving in the brashness of Scarface, the repetition of a snatch of T La Rock’s early Def Jam gem ‘It’s Yours’ and piano courtesy of Ahmad Jamal’s ‘I Love Music’ from his own timeless ‘The Awakening’ album (1970).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePresented for the first time on 7”, the vocals of the album version and the instrumental on the flip provide the perfect opportunity to enjoy and compare the work of two masters at the top of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e their game. Pete Rock’s seamless weaving of disparate samples into a compelling whole, the then little-known Nas’ statement of intent. With a maturity beyond his tender years, Nas put himself straight at the top of the pile, this Queensbridge chronicle hinting at the ambition and greatness he harboured within himself.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Nas","offers":[{"title":"Default Title","offer_id":56459183325519,"sku":"4386","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/a0990351104_16-2.jpg?v=1763567177"},{"product_id":"93-til-infinity-7","title":"93' Til Infinity (7\")","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eW\u003cmeta charset=\"UTF-8\"\u003ehile the Souls of Mischief never sold the kind of numbers that would elevate them to a huge audience, for the hip-hop cognoscenti their 1993 album 93 ‘Til Infinity and the singles it spawned are nothing but classic.\u003cbr\u003e\u003cbr\u003eShowcasing a fluent, loose-limbed rhyme style as Tajai, Opio, A-Plus and Phesto combined and bounced off each other, the Souls were part of the wider eclectic hip-hop collective Hieroglyphics, where they were joined by Del tha Funkee Homosapien and Casual, among others. All of them proved to be compelling, unique MC’s with a light touch, and both this single and the same year’s ‘That’s When Ya Lost’ were fan favourites from the off.\u003cbr\u003e\u003cbr\u003eIt’s built around a handful of different samples from Billy Cobham’s ‘Heather’, which are cleverly connected together and underpinned by a Graham Central Station drum break made indelible by everyone from the Geto Boys to Bizmarkie on ‘Pickin’ Boogers’. As a result, it stands in contrast to much of the grimy, headnod hip-hop of the time, providing a melodic, lightly jazzy counterpoint that draws you into the sinuous\u003cspan class=\"bcTruncateMore\"\u003e lyrics.\u003cbr\u003e\u003cbr\u003eThere’s no great message in the music, just four MC’s elevating the art of bragging to show you how the west coast rocks it. 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Made for Record Store Day 2026, Ben strips back the productions in vintage dub reggae style. Crafted on an analogue mixing desk, he weaves in delays, echoes, and reverb to push Hollie’s trademark sound into a hypnotising, rhythm and bass-heavy, electronic realm.\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Hollie Cook","offers":[{"title":"Default Title","offer_id":57466968801615,"sku":"4979","price":27.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Hollie_Cook_Shy_Girl_in_Dub.png?v=1776255254"}],"url":"https:\/\/secondlinerecords.com\/collections\/mr-bongo.oembed?page=5","provider":"Second Line Records","version":"1.0","type":"link"}