{"title":"International Anthem","description":"","products":[{"product_id":"the-oracle","title":"The Oracle","description":"\u003cp\u003eFollowing a flood of critical and communal acclaim from\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Oracle’s\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eJanuary 2019 cassette-only release, the album is finally available on compact disc and vinyl LP inside a deluxe old-style Stoughton tip-on jacket with insert card, IARC obi strip and dome-patterned inner sleeve.\u003c\/p\u003e\n\u003cp\u003eComposer, clarinetist, singer and spiritual jazz soothsayer Angel Bat Dawid descended on Chicago's jazz and improvised music scene just a few years ago. In very short time, the potency, prowess, spirit and charisma of her cosmic musical proselytizing has taken her from relatively unknown improviser to borderline ubiquitous performer in Chicago's avant-garde. 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If you’re in the Windy City, find him almost any night of the week at a bar, club, or venue near you, either behind the drumkit or behind the turntables, donning a beaver skin stetson hat, with his baby blue vintage Mercedes parked out front.\u003c\/p\u003e\n\u003cp\u003eFor his lead artist debut Panamá 77 he engages a diverse array of friends and collaborators - including Bardo Martinez (Chicano Batman), Jeff Parker (Tortoise), Marta Sofia Honer (Adrian Younge), Anna Butterss (Jenny Lewis), and Aquiles Navarro (Irreversible Entanglements) - to create a vibrant and verdant suite of multi-textural psychedelic instrumental folk-funk.\u003c\/p\u003e\n\u003cp\u003eThe album was recorded in several locations across Chicago and Los Angeles, including an outdoor session in the backyard of Chicali Outpost.\u003c\/p\u003e","brand":"Daniel Villarreal","offers":[{"title":"Default Title","offer_id":54275971416399,"sku":"1442","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Daniel_Villarreal_Panama_77.png?v=1737559280"},{"product_id":"suite-for-max-brown","title":"Suite For Max Brown","description":"\u003cp\u003eThough Parker collaborates with a coterie of musicians under the group name The New Breed, theirs is by no means a conventional “band” relationship. 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Electric pianists Angelica Sanchez and Craig Taborn pushed layers of plush texture back and forth over the intricate, tripartite grooves of bassist Ingebrigt Håker Flaten and two drummers, Chad Taylor and Gerald Cleaver. Mazurek’s trumpets and wordless cries, Tomeka Reid’s cello and Nicole Mitchell’s flute and voice periodically surfaced out of the flow, issuing sharp, energetic statements, while Damon Locks’ proclamations flickered in and out of the mix like an erratic signal from some interstellar radio announcer. Together, they reimagined the brooding sound of Miles Davis’ Bitches Brew as a force for transcendent uplift.\u003c\/p\u003e\n\u003cp\u003eAt one point, Mitchell put down her flute, spoke into Mazurek’s ear and pointed up to toward the dome. As he looked up, his own horn came down, and for a moment, the two of them gazed with undisguised awe at the spectacle that the Orchestra had unleashed. 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By the time Tomin got around to recording them, he’d already been a high-school trombonist in the Jazz at Lincoln Center Youth Orchestra, and a many-hats-wearing horn player with Standing on the\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eCorner, while studying at Columbia. 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In addition to being featured on a staggering number of International Anthem releases (including albums by Makaya McCraven, jaimie branch, Damon Locks, Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly), Gay is one of the most prolific collaborators in creative music today, making active contributions to Mike Reed’s Separatist Party, Joshua Abrams’s Natural Information Society, Bitchin Bajas, Theaster Gates’s Black Monks of Mississippi, and many more. A uniting factor in Gay's deep, multi-faceted discography is a never-ending commitment to taking the stories of the past and pushing them outward, filtered through a sense of self, to keep that information moving. Information moves through Yowzers via the intuitive physicality of Gay’s creative polyrhythmic constructions, as he covertly delivers familiar folk melodies. “It’s the most natural thing,” says Gay. “That’s how the world is. There are overlapping rhythms all around us, and so it reminds you of the reality of the world when you hear them. It’s a loop and the loop is always changing.” Yowzers features Gay's working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice), as well as guest instrumentalist Rob Frye and a mini-choir comprising vocalists Ayanna Woods, Tramaine Parker, and Ugochi Nwaogwugwu. The album recalls the high-minded freedom of Liberation Music Orchestra, the glitched-out electronic webs of Robert Aiki Aubrey Lowe, the unbridled rhythms and sandpaper bellows of Bukka White, and the harmolodic cartoon glory of Arthur Blythe’s Illusions. It’s all there, filtered through an improvisational approach and a lifetime of secrets embodied. 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The tracks on this compilation were chosen by Peterson via an extensive review of track lists from his broadcasts on BBC 6 Music, Worldwide FM, and various syndicated radio programs. The compilation also includes a previously unreleased track recorded live on the Peterson-founded online radio station Worldwide FM. The RSD exclusive 2LP is on \"Frozen Lake Michigan\" colored vinyl. 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Most of the recorded material was performed during that editing process, except for live performances taken from improvisations we recorded with Jeff Parker and Josh Johnson some time in 2023.\u003cbr\u003e\u003cbr\u003eIn our typical process, much of our material is collaged and combines moments of live improvisation, field recordings, and in-studio experimentation. This record, however, marks an evolution in our approach to studio production.\u003cbr\u003e\u003cbr\u003eOur studios are side-by-side. When we were writing this album, you might have found us tracking viola stacks in one studio while, in the other, we were writing through-composed themes and rearranging the material. Granular synthesis and tape manipulation are key tools we use to create variation and movement in a composition. This process often yields surprising results, capturing the emotion but expressing it in unexpected ways. It feels essential that we embrace a bit of chance.\u003cbr\u003e\u003cbr\u003eIn contrast to our first album, Recordings from the Åland\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eIslands, we wanted this music to feel very present. Where Recordings was intended to transport you to another place, Different Rooms is meant to meet you where you are. It’s a decidedly urban album. The field recordings were captured on train platforms, in city streets, in rooms at home, and intentionally paint a quotidian sonic image, blurring the line between what you hear in your own environment and what is on the record.\u003cbr\u003e\u003cbr\u003eThe song cycle is set in palindromic sequence, figuratively, with certain pieces (reflected) by a reprised or recurring motif that is often reimagined with new instrumentation.\u003cbr\u003e\u003cbr\u003eThe sonic and temporal abstraction between what is performed in real-time versus what is recorded, manipulated, and collaged reinforces our intent to collect the works under the title Different Rooms, which literally expresses the way the material was recorded in different rooms while reminding us that our shared experience of present time is also one that is asynchronous, historied, and complex.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased June 20, 2025\u003c\/div\u003e","brand":"Jeremiah Chiu and Marta Sofia Honer","offers":[{"title":"Default Title","offer_id":55671410098511,"sku":"3857","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Jeremiah_Chiu_and_Marta_Sofia_Honer_Different_Rooms.png?v=1754226091"},{"product_id":"the-oracle-ia11-edition","title":"The Oracle (IA11 Edition)","description":"\u003cp\u003eAngel Bat Dawid's International Anthem debut\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Oracle\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eintroduced her multifaceted voice to the world. The response to its modest, initial cassette\/digital release in January of 2019 was immediate, and immense. Within a month of its announcement, Dawid was being featured on magazine covers and receiving offers from international festivals; and her subsequent activity marked the beginning of an epic run of creative output (including 2020's LIVE double LP, the same year's EP Transition East, 2021's Hush Harbor Mixtape Vol. 1 Doxology, and the sprawling opus\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRequiem for Jazz\u003c\/em\u003e, released in 2023) that continues through the present.\u003c\/p\u003e\n\u003cp\u003eThe collection of compositions on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Oracle\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003epresent a deep blend of powerful and emotive songs alongside heavy and free improvisation. 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By the time \u003c\/span\u003e\u003cem\u003eÅland Islands\u003c\/em\u003e\u003cspan\u003e was coming to fruition, Honer had already written, performed and recorded strings with \u003c\/span\u003e\u003cstrong\u003eMakaya McCraven\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003eDaniel Villarreal\u003c\/strong\u003e\u003cspan\u003e, but this project brought her to the front as a lead artist in her own right. \u003c\/span\u003e\u003cem\u003eÅland Islands\u003c\/em\u003e\u003cspan\u003e was the label's first collaboration of any kind with Chiu, who has since released the solo outing \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eIn Electric Time\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e and the genre-breaking debut of his co-led supergroup \u003c\/span\u003e\u003cstrong\u003eSML\u003c\/strong\u003e\u003cspan\u003e, in addition to a trio album with Honer and the late \u003c\/span\u003e\u003cstrong\u003eAriel Kalma\u003c\/strong\u003e\u003cspan\u003e (2024’s \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eThe Closest Thing to Silence\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e), and copious album art and sundry visual work for IARC from his graphic design chair (including the now-annual publication \u003c\/span\u003e\u003cem\u003eTracing the Lines\u003c\/em\u003e\u003cspan\u003e). And that’s not even mentioning Chiu \u0026amp; Honer’s sophomore duo album \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eDifferent Rooms\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e, which was released in June 2025 to wide critical acclaim.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecordings from the Åland Islands\u003c\/em\u003e\u003cspan\u003e is far more than its context within the world of IARC, however, and it’s certainly more than its context as a travel document. Here Chiu and Honer have created a new world out of an old one with work that sees them in dialogue with their own source material. Like early masterpieces by Franco Battiato or Alvin Lucier, the album repeatedly presents the listener with a palpable sense of place, only to pluck them up and drop them into an entirely new one.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFilmmaker \u003c\/span\u003e\u003cstrong\u003eSean Pecknold\u003c\/strong\u003e\u003cspan\u003e, who accompanied Chiu and Honer on their first trip to the Åland Islands, sums things up beautifully in his liner notes for the IA11 Edition of the album: \u003c\/span\u003e\u003cem\u003e\"Along with their music, they recorded field sounds of the island: the murmurings of our friends, the birds at dusk, an organ inside an ancient church, the hum of bike tires rolling across soft gravel, the Finnish PA announcement on the afternoon ferry. Every sound they threaded into their compositions became a countermelody to the fluttery layers of synthesizer and haunting strings. 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It’s a thrilling, lively record and one of the best jazz releases this year.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Tom Skinner","offers":[{"title":"Default Title","offer_id":56025583747407,"sku":"4196","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/click_834881e8-3f72-4c5b-ba6c-16ee41d92cc2.webp?v=1759057388"},{"product_id":"saul-williams-carlos-nino-friends-at-treepeople","title":"Saul Williams, Carlos Niño \u0026 Friends At Treepeople","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAn unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño \u0026amp; Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. 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Their second album, How You Been, finds the supergroup of prolific composer\/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHow You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recordings from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a higher level of self-awareness and a far deeper pool of source material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBehind the thrust of the first album’s success, the band approached every performance in late 2024 and early 2025 as a generative opportunity to hone their sound and document their expansion across a new landscape of audiences, venues, and cities\u003cspan class=\"bcTruncateMore\"\u003e. Despite the premeditation driving their commitment to record every moment, the band started every show without musical direction, improvising intuitively, completely. 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St. Louis’s presence had provided a fresh injection of virtuosic curiosity, and the interplay between him and Ajemian rejiggered the crew’s string-driven multi-rhythmic plonk swing while also refreshing their alternately aggressive and melodious heavy-bite bowing with an expanded pocket. It was a highly fertile\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003efoundation for branch to experiment and explore, reach for the nether regions of her instrument, and continue to focus and refine her flagship ensemble into a wholly original sound.\u003cbr\u003e\u003cbr\u003ebird dogs of paradise also introduced the wider world to branch’s singing voice. “prayer for amerikkka pt. 1 \u0026amp; 2” - written and first performed by branch in Paris on the night of the 2018 US midterm elections - has since become a rallying cry for those who share her sense of justice in a world controlled by those who are seemingly unconcerned with it. And on “love song\" (for assholes and clowns), branch shows us her cards with a wink and a smile. “So much beauty lies in the abstract of instrumental music,” branch says in the album’s original liner notes, “but being this ain’t a particularly beautiful time, I’ve chosen a more literal path. The voice is good for that.”\u003cbr\u003e\u003cbr\u003eThe IA11 Edition of FLY or DIE II: bird dogs of paradise comes on classic black 140-gram vinyl LP (pressed at Pallas in Germany, with lacquers cut by Daniel K at SST) inside a heavyweight reverse-board jacket, with a 16-page 11x11\" insert booklet featuring previously-unpublished photos, two sets of new liner notes – the first by jaimie’s mom, Soledad “Sally” Branch, as told to Kate Branch, and the second by Fly or Die bassist Jason Ajemian – plus IARC 2025 obi strip and printed poly-lined printed inner-sleeve.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Jaimie Branch","offers":[{"title":"Default Title","offer_id":56545402749263,"sku":"4515","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Jaimie_Brnach_Fly_Or_Die_II_IA11_Edition.png?v=1764777601"},{"product_id":"universal-beings-ia11-edition","title":"Universal Beings (IA11 Edition)","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe 2018 release of Universal Beings, in many ways, feels like the moment that the gates swung open for both Makaya McCraven and International Anthem. On one hand, it's a four-sided communal showcase of the inter-city exchange that had started to develop in the “new jazz” hubs, collecting group improvisations from New York, London, Chicago, and Los Angeles. On the other, it is an editing and post-production masterclass – the MVP of McCraven’s “organic beat music” concept – and a landmark moment where his cut-splice-reassembly chops shine as brightly as the players themselves.\u003cbr\u003e\u003cbr\u003eThe musicians on the album were a combined who’s-who and who’s-gonna-be-who of their respective scenes: Brandee Younger (harp), Joel Ross (vibraphone), Tomeka Reid (cello), Dezron Douglas (double bass), Shabaka Hutchings (tenor saxophone), Junius Paul (double bass), Nubya Garcia (tenor saxophone), Ashley Henry (Rhodes piano), Daniel Casimir (double bass), Josh Johnson (alto saxophone), Miguel Atwood-Ferguson (violin), Jeff Parker (guitar), Anna Butterss (double bass), and Carlos Niño (percussion). In our original press release, we called it “an inspiring display of the organic global inter-connectedness of the Black American music tradition in 2018.” In our off-the-record conversations at the time, we said ‘it’s like Dr\u003cspan class=\"bcTruncateMore\"\u003e. Dre’s The Chronic, but for jazz’.\u003cbr\u003e\u003cbr\u003eUniversal Beings earned rave reviews across the board. It was a consensus year-end favorite (as seen in NPR Music, WIRE Magazine, New York Times, Chicago Tribune, LA Times, Rolling Stone, Vice, Stereogum, the list goes on…) that cemented McCraven as a must-buy album producer and a must-see live performer, and brought enough energy to our “plucky Chicago indie label” that we were able to move out of a closet and into an actual office.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e","brand":"Makaya McCraven","offers":[{"title":"Default Title","offer_id":56545416872271,"sku":"4517","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Screenshot2025-12-03at16.06.09.png?v=1764777979"},{"product_id":"small-medium-large","title":"Small Medium Large","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTheir debut album 'Small Medium Large' began as a collection of long form improvisations recorded during two separate two-night stands at beloved Highland Park, Los Angeles venue ETA. Unfortunately, this major development site for the burgeoning new West Coast jazz \u0026amp; improvised music sound closed its doors permanently at the end of 2023.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe venue, perhaps best known outside of LA for Jeff Parker's 2022 album 'Mondays at the Enfield Tennis Academy', was the perfect location for the start of SML, especially given that both bassist Anna Butterss and saxophonist Josh Johnson are part of Parker's quartet that held down a regular gig at ETA since the venue's early days (and hence thoroughly documented, heard on Parker's album). 'Small Medium Large' was engineered and recorded in stereo direct to Nagra by Bryce Gonzales and compiled, arranged, and edited with additional production, recording, and studio composition by SML across their various home studios.\u003c\/span\u003e\u003c\/p\u003e","brand":"SML","offers":[{"title":"Default Title","offer_id":57017763103055,"sku":"4719","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/sml.jpg?v=1770899029"},{"product_id":"extra-stars","title":"Extra Stars","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eExtra Stars is a deeply beautiful expression of Gregory Uhlmann’s ever-evolving sound world, and comes at a pivotal juncture in the LA-based composer, producer, guitarist and multi-instrumentalist’s musical journey.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFollowing a long run of supporting work with artists like Perfume Genius, Tasha, and Hand Habits, alongside an eponymous recorded output largely focused on his more singer-songwriter oriented music, Uhlmann has spent the better part of the last couple years trotting out album after album of groundbreaking instrumental modern music. From the sparse melodies and hushed ambient soundscapes of Small Day, to his much-lauded duo outing Doubles with Meg Duffy, to his perhaps lesser-known but no-less-brilliant duo record Water Map with Dustin Wong, to the lush chamber-jazz interplay of his trio recording with saxophonist Josh Johnson and bassist Sam Wilkes, to the two genre-breaking albums he released as a co-leader of synth-laced trance-jazz quintet SML (2024’s Small Medium Large and 2025’s How You Been), Uhlmann has subtly, if not quietly, established himself as an essential presence in some of the most progressive recordings of our time.\u003c\/span\u003e\u003c\/p\u003e","brand":"Gregory Uhlmann","offers":[{"title":"Default Title","offer_id":57172088521039,"sku":"4801","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/a0100696238_10.jpg?v=1772712263"},{"product_id":"body-sound","title":"Body Sound","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who’s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe trio’s collective sound is based in improvisation—automatic, intuitive composition via their three voices and three string instruments (viola, cello, and violin, respectively). Their influences are vast—dispatched with more playful ease than a trio of string instruments is typically approached with, and just as likely to be found in the cloud-obscured mountains of Donegal, the low-rent cacophony of a midwestern basement, or the revelatory expanse of the Nurse With Wound list as in the storied halls of the academy. Touchstones and areas of interest aside, the main thing that Johnson, Kohl, and Stewart engage with in BODY SOUND is listening and\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ereacting.\u003cbr\u003e\u003cbr\u003e“Improvisation has a special capacity to facilitate a kind of sonic intimacy,” says Kohl. “We're making choices together in the moment. We're creating time together before thought enters the equation. 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