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Gatefold picture sleeve with original art.\u003c\/span\u003e\u003cspan\u003e A beauty!)\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e#Top 500 Greatest Albums Of All Time\u003c\/b\u003e\u003c\/p\u003e","brand":"Herbie Hancock","offers":[{"title":"Default Title","offer_id":54277242683727,"sku":"1481","price":57.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Herbie_Hancock_Headhunters.png?v=1737569186"},{"product_id":"we-get-requests","title":"We Get Requests","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong\u003eWe Get Requests\u003c\/strong\u003e\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eis a perfect example of\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eOscar Peterson's\u003c\/strong\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eremarkable two-sided appeal. Technically, the album is filled with above average melodic development and solid rhythmic blend, while the repertoire is a crowd-pleaser. On this LP, the listener is treated to a tasteful mixing of current pop tunes, standards and originals. In\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eWe Get Requests\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e, the\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cstrong\u003eOscar Peterson Trio \u003c\/strong\u003e\u003cspan\u003eshows again why it is consistently at the top of polls taken among fans and musicians alike. 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When asked why such an undertaking, Coltrane replied, \"variety.\" The recording captures the famed John Coltrane Quartet in a performance of timeless ballads. Verve’s Acoustic Sounds Series features transfers from the analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.\u003c\/span\u003e\u003c\/p\u003e","brand":"John Coltrane Quartet","offers":[{"title":"Default Title","offer_id":54501959532879,"sku":"2753","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Verve_acoustic_sounds_John_Coltrane_Quartet_Ballads.png?v=1740135200"},{"product_id":"plays-w-c-handy-copy","title":"Sorceror","description":"\u003cp\u003eFilled with aural magic and enchanting musical spells,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSorcerer\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis true to its name. The third of five albums devised by Miles Davis' legendary second quintet – and the second record in a still-unprecedented string of eight consecutive releases within a four-year period that forever changed the face of jazz – the 1967 magnum opus mesmerises with instrumental colours, subdued musings, and subtle details.\u003c\/p\u003e\n\u003cp\u003eThis is a reference-standard reissue. You'll hear poetic lyricism pouring out of Wayne Shorter's horn, the breadth and definition of the notes spreading across an enormous soundstage. Never before have drummer Tony Williams' rim shots ricocheted with such purpose or his light percussive work mirrored that of a feather touching skin. 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Sourced from the original master tapes and housed in a Stoughton jacket, this numbered-edition collectible traces the individual paths each musician takes in contributing to the whole — from pianist Red Garland’s left hand weaving counter-melodic chords to Coltrane infusing a tune with forward, harmony-defying patterns to the extent that iconic pianist Cecil Taylor declared “Coltrane’s what you hear on that record” the first time he heard the album.\u003c\/p\u003e\n\u003cp\u003eRecorded at three extended sessions that took place over an 11-month span and chosen from a multitude of takes, the music sounds cohesive, immediate, and involving. Ballads are warm, lush, gentle, illuminated; upbeat pieces bounce, snap, and energize. The high ceilings at Columbia’s 30th Street Studio doubtlessly add to the sonic awe. 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With this record, the jazz public began to follow their lead.\u003c\/p\u003e\n\u003cp\u003eHere, joined by bassist Sam Jones and drummer Philly Joe Jones, Evans delivers some of his most fluid, swinging trio performances — elegant, lyrical, and rhythmically alive. Yet it's the solo improvisation \"Peace Piece\" that forever marked his arrival. 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On\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIn New York\u003c\/em\u003e, Chet proves that his famously fragile persona belied a rock-solid sense of melody, timing, and understated swagger.\u003c\/p\u003e\n\u003cp\u003eChet may be the name on the cover, but he came to town with some serious firepower.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohnny Griffin\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(tenor sax), known as the \"\u003cem\u003eLittle Giant\u003c\/em\u003e\" brings a big sound and a bebop bite, pushing Chet into edgier territory — and yes, it works.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAl Haig\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(piano), is bebop royalty. 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Under Buddy Bregman's direction, their crisp, spacious charts give Ella freedom, turning evergreens such as 'There's A Small Hotel', 'You Took Advantage Of Me' and 'My Funny Valentine' into definitive readings. 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The limited-edition 180-gram 3-LP (and 2-CD) set was mastered from the original tapes by George Klabin and John Koenig, with lacquers cut by Matthew Lutthans at The Mastering Lab in Salina, KS, and pressed at Quebec's boutique audiophile pressing plant Le Vinylist. This is part of Resonance's debut launch of releases from Joe Segal's Jazz Showcase archives, marking the beginning of what will hopefully be a long line of incredible releases from the club's archives. 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This historic collection brings together, for the first time ever, the complete series of performances by the revered John Coltrane Quartet in France in July 1965, capturing the original “classic quartet” lineup — John Coltrane (tenor saxophone), McCoy Tyner (piano), Jimmy Garrison (bass), and Elvin Jones (drums) — during their final European tour together. On July 26, the quartet performed the only complete live version of A Love Supreme ever known to have been played by the original lineup. Previously believed lost to time, the Charly Records archivists have painstakingly recovered and restored the full performance, long thought to survive only in a brief French TV excerpt. 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Whether adding rock elements to salsa king Tito Puente's \"\u003cem\u003eOye Como Va\u003c\/em\u003e,\" embracing instrumental jazz-rock on \"\u003cem\u003eIncident at Neshabur\u003c\/em\u003e\" and \"\u003cem\u003eSamba Pa Ti\u003c\/em\u003e,\" or tackling moody blues-rock on Fleetwood Mac's \"\u003cem\u003eBlack Magic Woman\u003c\/em\u003e,\" the band keeps things unpredictable yet cohesive.\u003c\/p\u003e\n\u003cp\u003eMany of the\u003cspan\u003e \u003c\/span\u003eSantana\u003cspan\u003e \u003c\/span\u003ealbums that came out in the '70s are worth acquiring, but for novices,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAbraxas\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an excellent place to start.\u003c\/p\u003e","brand":"Santana","offers":[{"title":"Default Title","offer_id":57789528703311,"sku":"5135","price":60.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Santana_Abraxas.png?v=1779887810"},{"product_id":"cloud-nine-180g-45rpm-vinyl-2lp","title":"Cloud Nine (180g 45RPM Vinyl 2LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe ninth studio album by The Temptations for the Motown label, Cloud Nine was released in 1969 and marked a major turning point in the group’s career. It was the first full Temptations studio LP to feature Dennis Edwards as the replacement for David Ruffin (fired in June of 1968) and also marked the beginning of the group’s delve into psychedelic soul under the ambitious direction of producer Norman Whitfield. The change proved highly successful, with the album rising to number four on the Billboard Pop Albums Chart and earning the group their first Grammy Award. Cloud Nine received a ****½ AllMusic rating, with reviewer Amy Hanson stating that this is “an album that would become one of the defining early funk sets, with songs that not only took Motown in a new direction, but helped to shape a genre as well.”\u003c\/span\u003e\u003c\/p\u003e","brand":"The Temptations","offers":[{"title":"Default Title","offer_id":57860393533775,"sku":"5181","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/The_Temptations_Cloud_Nine.png?v=1780662215"},{"product_id":"the-guitar-artistry-of-charlie-byrd-45rpm","title":"The Guitar Artistry Of Charlie Byrd (45rpm)","description":"\u003cp\u003ePicture this: it's 1960, and the world is still reeling from the Eisenhower era, poodle skirts, and the faint hum of early rock ‘n' roll trying to steal jazz's thunder. Charlie Byrd's album \u003cem\u003eThe Guitar Artistry of Charlie Byrd \u003c\/em\u003edrops like a perfectly timed rimshot, ready to remind everyone that jazz can be sophisticated, soulful, and swing like nobody's business.\u003c\/p\u003e\n\u003cp\u003eIt was at Edgewood Studios in Washington, D.C. where Byrd, the Virgina-born guitar wizard, with his trusty unamplified Spanish guitar, plied his magic. Recorded in 1960 and released in 1963 on Riverside Records (after a limited run as Charlie's Choice: Jazz at the Showboat, Vol. 4 on Washington Records' Offbeat imprint), this album is Byrd at his peak, blending jazz's improvisational fire with the refined finesse of classical technique. The tracklist reads like a love letter to versatility: from the peppy \"Taking a Chance on Love\" to the dreamy \"Moonlight in Vermont,\" and a nod to his idol Django Reinhardt with \"Nuages.\" Oh, and let's not forget \"Django,\" a solo guitar performance that's so intimate, you'll swear Byrd's playing it just for you in your living room.\u003c\/p\u003e\n\u003cp\u003eThe album's vibe is like a martini — smooth, sophisticated, but with a kick that sneaks up on you. AllMusic gave it a glowing 4½ stars, calling it \"pleasing,\" and Byrd's style \"clean, beautifully articulated\" which is critic-speak for \"this is the kind of record you'll spin until your turntable begs for mercy.\" It's not just background music; it's a conversation between Byrd's fingers and your soul, with every plucked note saying, \"Hey, jazz can be classy and cool.\"\u003c\/p\u003e\n\u003cp\u003eByrd doesn't go it alone here — he's got the perfect wingmen. On bass, we have Keter Betts, whose steady, soulful lines are the heartbeat of the trio. Betts, a D.C. jazz staple, keeps things grounded while Byrd's guitar soars. On drums, Buddy Deppenschmidt lays down rhythms so tasteful, you'd think he's seasoning the tracks with pixie dust. Together, they're tighter than a hipster's skinny jeans, creating a sound that's both relaxed and razor-sharp. And that solo \"Django\"? That's all Byrd, baby — proof he could hold court without a rhythm section and still leave you gobsmacked.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Guitar Artistry of Charlie Byrd\u003c\/em\u003e didn't top the Billboard charts like Byrd's later bossa nova blockbuster Jazz Samba (1962, with Stan Getz), but it was a sleeper hit in jazz circles. Its initial limited release on Washington Records meant it was like finding a rare Pokémon card for early collectors. When Riverside picked it up in '63, it rode the wave of Byrd's growing fame, especially after he introduced bossa nova to North America. Jazz fans, already smitten with Byrd's genre-hopping genius, snapped it up, and it became a staple in collections for its pure, unadulterated guitar artistry.\u003c\/p\u003e\n\u003cp\u003eThis reissue brims with superior quality. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\u003c\/p\u003e\n\u003cp\u003eFor a jazz music collector, The Guitar Artistry of Charlie Byrd is like a holy grail with a side of hot sauce. It's a masterclass in guitar-driven jazz from a guy who could make nylon strings sing like nobody else. 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A blueprint for blues-infused hard bop, Kelly Blue is Kelly's definitive statement as a bandleader — a swinging, blues-soaked masterclass in touch, taste, and timing. This is the sound of a pianist playing with both finesse and fire.\u003c\/p\u003e\n\u003cp\u003eThe Pitch (and it swings hard)\u003c\/p\u003e\n\u003cp\u003eIf you're assembling a jazz collection and \u003cem\u003eKelly Blue\u003c\/em\u003e isn't on your shelf, you're basically hosting a dinner party without food. Kelly was the pianist Miles Davis trusted enough to bring into his band and replace Red Garland. Kelly was the ultimate sideman turned understated hero — blending gospel fire, blues grit, and bebop elegance into a buttery-smooth flow that made his touch unmistakable. On Kelly Blue, he steps out of the shadow and into the spotlight, where he glows like a well-polished Steinway under stage lights.\u003c\/p\u003e\n\u003cp\u003eAnd Kelly brought friends on this auspicious date. Paul Chambers (bass) — So solid, they used him to calibrate metronomes. Jimmy Cobb (drums) — Subtle as a whisper, sharp as a whip. And Nat Adderley (cornet), Benny Golson (tenor sax), and Bobby Jaspar (flute) — Because sometimes, you need a horn section that sounds like they're reciting poetry in perfect harmony. These cats don't just support Kelly — they elevate him.\u003c\/p\u003e\n\u003cp\u003eBottom line, Kelly Blue is an essential slice of jazz heaven — warm, witty, effortlessly cool.\u003c\/p\u003e\n\u003cp\u003eWhat's Inside?\u003c\/p\u003e\n\u003cp\u003e\"Kelly Blue\" - The blues never felt this fresh. This is the sound of a pianist playing with both finesse and fire.\u003c\/p\u003e\n\u003cp\u003e\"Softly, As in a Morning Sunrise\" — A standard, yes. But Kelly makes it his.\u003c\/p\u003e\n\u003cp\u003e\"Keep It Moving\" — Exactly what this band does, with grooves slick enough to hydroplane on.\u003c\/p\u003e\n\u003cp\u003eBallads and burners alike - Every track is a reminder that Kelly could do anything at the keys — except be boring. Kelly Blue is the sound of a pianist at the peak of his power, surrounded by friends who know exactly how to keep up. If your jazz collection were a cocktail, this album would be the splash of bourbon that makes everything come together.\u003c\/p\u003e\n\u003cp\u003eThis is a vinyl LP reissue unmatched. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings! 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Anchored by the crossover smash \"Walk This Way,\" the 1986 blockbuster still sounds like a revolution unfolding in real time. It has everything – hard-rock riffs, turntable scratching, itchy rhythms, hit singles – not the least of which are the trio's invigorating raps and inseparable chemistry. 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The aural Mount Rushmore of jazz fusion, \u003ci\u003eBitches Brew\u003c\/i\u003e is rightly ranked by virtually every significant outlet among the 100 greatest albums ever made in any genre.\u003c\/p\u003e\n\u003cp\u003eSewn together with vibrant colours, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail on Mobile Fidelity's definitive 180g 33RPM 2LP set. Sourced from the original master tapes and pressed on 180g vinyl at RTI, this numbered-edition version of Bitches Brew joins the audiophile ranks of other essential Miles Davis sets reissued by Mobile Fidelity. Having established new possibilities for studio-recording techniques, the record can now be experienced to maximum degree by way of a pressing that widens and deepens the soundstage, opens up separation between instruments, and broadens the dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it. 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Juxtaposed percussion, loose jams, and melodic segues explode with impressionistic verve.\u003c\/p\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":58118840090959,"sku":"5268","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/unnamed_3_fca24fae_thumbnail_4096.webp?v=1782992542"},{"product_id":"birth-of-the-blue-45rpm","title":"Birth Of The Blue (45rpm)","description":"\u003cp\u003eMiles Davis — Birth of the Blue\u003c\/p\u003e\n\u003cp\u003eSmash prequel to what many consider the greatest jazz record ever!\u003c\/p\u003e\n\u003cp\u003eFour more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue!\u003c\/p\u003e\n\u003cp\u003eModal jazz precursor laid groundwork for future jazz innovation!\u003c\/p\u003e\n\u003cp\u003e180-gram vinyl 45 RPM double LP\u003c\/p\u003e\n\u003cp\u003ePlated and pressed at Quality Record Pressings for flawless production and superior fidelity!\u003c\/p\u003e\n\u003cp\u003eStoughton Printing Old Style tip-on gatefold heavyweight jackets\u003c\/p\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":58167010427215,"sku":"5271","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/milesdavisbirthoftheblue__82172_m.webp?v=1783508722"}],"url":"https:\/\/secondlinerecords.com\/collections\/free-shipping-55-60.oembed?page=2","provider":"Second Line Records","version":"1.0","type":"link"}