{"title":"Decca","description":"","products":[{"product_id":"tales-of-the-algonquin","title":"Tales Of The Algonquin","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"John Surman\/John Warren","offers":[{"title":"Default Title","offer_id":54292524007759,"sku":"2051","price":21.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/71JPwp3qdML._UF894_1000_QL80.jpg?v=1751645177"},{"product_id":"the-moment-of-truth-ella-at-the-coliseum-copy","title":"I Kept these Old Blues","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"This is my first album. Most of these tunes were originally recorded by the great blues men and women who were making records from the 1920s and 1930s right up in some cases to the early 1970s. I have also found inspiration for the renditions recorded here in the playing of some of the musicians who began recording this music in the 1960s and later, and who in some cases learned at the feet of the greats. Many of these guitarists played pivotal roles in the 1960s blues revival and subsequent “rediscovery” of many of the greats of country blues.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI grew up steeped in these old blues in the hills overlooking the valley of the River Finn just outside the town of Ballybofey in County Donegal. My father would play this music constantly at home and wherever we went in the car and talk about it endlessly whether anyone was listening or not, telling stories about the lives of these musicians as if they were legend, mythology or the evening news.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMy father could of course play all this stuff on guitar, I remember watching him when I was very young and thinking “I\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ewant to be able to do that”. When I was nine he agreed to teach me and bought me my first little travel guitar. I worked hard to learn how to play but as time wore on I seemed to have less and less time to practice as I became more and more invested in the combat sports I was regularly training and competing in. Then in March 2020 the first Covid lockdowns happened and all contact sports were shut down. I was lost for a while but soon found my way back to the guitar. I was now listening, playing and practicing with a new intensity and focus. In a very serious moment I wrote out a list of tunes I was going to learn. The first tune on that list was Blind Blake’s “Police Dog Blues”. I’m not sure now how long it took to get that arrangement together but when it was ready we videoed me performing it and posted it on YouTube. It ended up getting a lot of attention, I remember my parents being quite shocked and soon after that Josh Rosenthal got in touch… and here we are!\u003cbr\u003eEach individual track on this album was recorded live in the studio and represents one entire take with me singing and backing myself up on guitar simultaneously. Most are either first or second takes. Nothing has been added or taken away, no overdubs or modern recording tricks of any kind have been used at all so at least in some respects this album has been recorded in the same way as those classics of the 1920s and 1930s.\u003cbr\u003eI hope you enjoy the record.\"\u003cbr\u003e\u003cbr\u003e-- Muireann Bradley May 2023\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Muireann Bradley","offers":[{"title":"Default Title","offer_id":54536011022671,"sku":"2879","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Muireann_Bradley_I_Kept_these_Old_Blues.png?v=1740592423"},{"product_id":"who-says-they-dont-write-good-songs-anymore","title":"Who Says They Don't Write Good Songs Anymore?","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn an ongoing quest to make the most desirable and interesting archive recordings available, Decca Records are proud to present Joy Marshall's 1965 album 'Who Says They Don't Write Good Songs Any More? How About These?' (to use its full title) available on vinyl again for the first time in 60 years, and - with additional content - to stream for the very first time.\u003c\/span\u003e\u003c\/p\u003e","brand":"Joy Marshall","offers":[{"title":"Default Title","offer_id":54889022521679,"sku":"3257","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Joy_Marshall_Who_Says_They_Don_t_Write_Good_Songs_Anymore.png?v=1744559191"},{"product_id":"chet-baker-re-imagined","title":"Chet Baker Re:Imagined","description":"\u003cp\u003eChet Baker Re:Imagined, a collection of songs recorded by a varied selection of international talent to celebrate the legacy of one of the most unique, charismatic and influential figures in the history of jazz. Released to mark the 70th anniversary of seminal album Chet Baker Sings, the 15-track compilation presents modern reworkings of the trumpeter and singer’s repertoire and underscores the enduring influence of one of 20th century music’s most creative artists.\u003c\/p\u003e\n\u003cp\u003eFeaturing an array of international artists spanning R\u0026amp;B, pop, soul and jazz. British artists dodie, Matt Maltese, Matilda Mann, Joel Culpepper, Ife Ogunjobi, Hohnen Ford, Eloise and Puma Blue line up alongside Benny Sings from the Netherlands, Canada’s Stacey Ryan, American artists Delaney Bailey and Mxmtoon, South Korean Sara Kang and Australian-Filipino grentperez. These musicians, singers, songwriters and beat-makers all sit within a fast-emerging scene and together they cast Baker’s sublime.\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":55107839328591,"sku":"3497","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Chet_Baker_Re_Imagined.png?v=1747239840"},{"product_id":"pendulum","title":"Pendulum","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eHoly grail rarity and brit jazz gem finally gets reissued by Decca. \u003c\/span\u003e\u003cem\u003ePendulum\u003c\/em\u003e\u003cspan\u003e, the stunning debut album by Mike Taylor Quartet, was recorded for legendary British jazz producer Denis Preston at the famed Lansdowne Studios. The album is split between reworked standards arranged by Taylor on Side A (including a radical rework of Dizzy Gillespie’s A Night in Tunisia) and original compositions from Taylor on Side B. \u003c\/span\u003e\u003c\/p\u003e","brand":"Mike Taylor Quartet","offers":[{"title":"Default Title","offer_id":55689106522447,"sku":"3860","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/209626-mike-taylor-quartet-pendulum.jpg?v=1754475471"},{"product_id":"trio-1","title":"Trio","description":"\u003cdiv class=\"Description_reasons-to-buy-wrapper__0CthD\"\u003e\n\u003cdiv class=\"Content_description-wrapper__XbO9z\" data-is-open=\"true\"\u003e\n\u003cdiv class=\"Content_inner-wrapper__xBJ2L\"\u003e\n\u003cdiv class=\"Description_truncated-text__yUXZD\"\u003e\n\u003cdiv class=\"Description_descriptionBody__bEN2t\"\u003e\n\u003cdiv class=\"Description_descriptionText__Lgv7A\" data-testid=\"description-product\"\u003e\n\u003cp\u003e\u003cem\u003eTrio\u003c\/em\u003e by The Mike Taylor Trio is a 1966 album by British jazz pianist Mike Taylor, which features Taylor's distinctive blend of modern jazz with a somewhat melancholic, introspective tone. His trio, which includes Dave Tomlin on bass and Norman Fearon on drums, delivers a tight yet expressive performance with a mix of original compositions and jazz standards. The music on Trio is notable for its rich harmonic structure and Taylor's emotive, intricate piano work, which often leans toward a modal and reflective style. His improvisational approach is both delicate and exploratory, creating an atmosphere that is both intimate and contemplative. Though the album did not gain widespread commercial success at the time of its release, it has since garnered recognition for its unique voice in the British jazz scene and is considered an underrated gem by jazz enthusiasts.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mike Taylor Trio","offers":[{"title":"Default Title","offer_id":55689136603471,"sku":"3861","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/5060672889902.webp?v=1754475670"},{"product_id":"lola","title":"Lola","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eOriginally released in 1964, and now much sought after by collectors and connoisseurs, original vinyl copies of this landmark Jazz album now sell for around £500. As the original sleeve notes stated, \"jazz is inevitably associated with the United States\", and yet it has long been the case that other countries and cultures are able to bring a unique perspective to the music, as displayed on \u003cem\u003eLola\u003c\/em\u003e, an album recorded in a pre-internet age by a hugely talented Polish quartet, at a time when the international exchange of ideas, let alone overseas travel, was extremely limited.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eMade up of seven original compositions, and a new take on the Jerome Kern and Oscar Hammerstein II standard 'Ol' Man River', \u003cem\u003eLola\u003c\/em\u003e draws on Polish folklore for inspiration, particularly highlander music. As quoted in the extensive new sleeve notes that accompany this release, Namysłowski \"wanted it to sound different than the so-called pure jazz.\" Recorded at Decca Studio No. 3 in August 1964, the sessions for the ‘Lola’ album were overseen by Mike Vernon, who would go on to produce Fleetwood Mac, David Bowie, and John Mayall among others, and establish the Blue Horizon label. The engineer was Vic Smith, who would go on to produce The Jam. The sessions gave us the first album recorded by a Polish group outside the 'Iron Curtain', and the results were enthusiastically received in the music press at the time.\u003c\/span\u003e\u003c\/p\u003e","brand":"Zbigniew Namysłowski Modern Jazz Quartet","offers":[{"title":"Default Title","offer_id":56477019996495,"sku":"4401","price":27.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Zbigniew_Namys_owski_Modern_Jazz_Quartet_Lola.png?v=1763738936"},{"product_id":"verve-wishes-you-a-swinging-christmas-copy","title":"Coleman Hawkins And Confreres","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eReleased in 1958 on Verve, Hawkins playing is particularly confident and eloquent throughout the set. His group of ‘confreres’ on the session is fortified by the Oscar Peterson Trio along with sit in guests including Hank Jones (piano), Herb Ellis (guitar), and Roy Eldridge and Buck Clayton (trumpet) among others. The relaxed atmosphere of the session is particularly noticeable in the title ‘Sunday’ in which Roy Eldridge comes into the limelight with a brilliant solo. Coleman Hawkins' voluminous, supple sound which had a great influence on the styles of so many horn players who followed is best heard after Roy's solo in ‘Honey Flower’. Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.\u003c\/span\u003e\u003c\/p\u003e","brand":"Coleman Hawkins","offers":[{"title":"Default Title","offer_id":56524002820431,"sku":"4491","price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/CHAHC_COVER_3000x3000_1.webp?v=1764425863"},{"product_id":"entre-eux-deux","title":"Entre eux deux","description":"\u003cp\u003eMelody Gardot and acclaimed pianist Philippe Powell have recorded an intimate album of brooding jazz torch songs. Recorded in Paris in Dec 2021, this intimate new album showcases Melody and Philippe’s love of traditional jazz, taking the listener back to its golden age.\u003c\/p\u003e\n\u003cp\u003e“If I had to sum up the record in a couple of words, I’d say : this record is a dance between two people who love and value the same things : deep poetry and solid melodies. The title “Entre eux deux” (between us two), stands true. Here’s a peek into the world of two artists who just really dig each other. We hope you really dig it too.”- Melody Gardot\u003c\/p\u003e","brand":"Melody Gardot, Philippe Powell","offers":[{"title":"Default Title","offer_id":56893167894863,"sku":"4666","price":27.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/entreeuxdeux.webp?v=1769266192"},{"product_id":"i-330","title":"i-330","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWith i-330, Flore Benguigui delivers a manifesto of artistic and feminine emancipation. While the album’s title draws its inspiration from Yevgeny Zamyatin’s dystopian novel We, the music itself dissolves the boundaries of time: between 1930s swing and electronic textures, jazz and pop are joyfully reinvented with playful elegance. Recorded live at Studio Pigalle, i-330 breathes spontaneity, warmth and shared joy, carried by a predominantly female collective - the Sensible Notes. Together, they breathe new life into hidden gems by Nat King Cole and Margo Guryan, as well as treasures from French chanson, blending gentleness, boldness and luminous melancholy. More than a record, i-330 is a vibrant refuge - a poetic, timeless space where jazz, free and sensitive, rediscovers its liberating power.\u003c\/span\u003e\u003c\/p\u003e","brand":"Flore Benguigui \u0026 The Sensible Notes","offers":[{"title":"Default Title","offer_id":57217054867791,"sku":"4807","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Flore_Benguigui_The_Sensible_Notes_i-330.png?v=1773234637"},{"product_id":"greek-variations-other-aegean-exercises","title":"Greek Variations \u0026 Other Aegean Exercises","description":"\u003cp data-end=\"677\" data-start=\"176\"\u003eOriginally released in 1970,\u003cspan\u003e \u003c\/span\u003e\u003cem data-end=\"299\" data-start=\"256\"\u003eGreek Variations \u0026amp; Other Aegean Exercises\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis widely regarded as one of\u003cspan\u003e \u003c\/span\u003e\u003cstrong data-is-only-node=\"\" data-end=\"344\" data-start=\"329\"\u003eNeil Ardley\u003c\/strong\u003e’s defining works and a cornerstone of British progressive modern jazz. Long prized by collectors, with original copies commanding prices upwards of £600, the album stands as one of the most accomplished recordings to come out of Denis Preston’s Lansdowne Studios — a setting synonymous with some of the era’s most ambitious UK jazz.\u003c\/p\u003e\n\u003cp data-end=\"1098\" data-start=\"679\"\u003eThis project also marks a key intersection in the creative paths of\u003cspan\u003e \u003c\/span\u003e\u003cstrong data-end=\"757\" data-start=\"747\"\u003eArdley\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong data-end=\"771\" data-start=\"759\"\u003eIan Carr\u003c\/strong\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cstrong data-end=\"792\" data-start=\"777\"\u003eDon Rendell\u003c\/strong\u003e. Its expansive arrangements, exploratory jazz-rock currents, and rooted acoustic sensibilities hint at the distinct directions each musician would pursue in the years that followed. A vital document of a scene in transition,\u003cspan\u003e \u003c\/span\u003e\u003cem data-end=\"1036\" data-start=\"1018\"\u003eGreek Variations\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eremains both historically significant and musically enduring.\u003c\/p\u003e","brand":"Neil Ardley, Ian Carr, Don Rendell","offers":[{"title":"Default Title","offer_id":57327451930959,"sku":"4878","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Neil_Ardley_Ian_Carr_Don_Rendell_Greek_Variations_Other_Aegean_Exercises.png?v=1774540413"},{"product_id":"michael-legrand-meets-miles-davis","title":"Michael Legrand Meets Miles Davis","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThis special reissue, marking the centenary of Miles Davis in 2026, of the legendary 1958 album\u003cem\u003e Legrand Jazz\u003c\/em\u003e includes a note by Michel Legrand on the historic sessions not included on the original release, and is presented with fresh new artwork based on session photography of Miles with Legrand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMichel Legrand qualified the album as “the record of his dreams”. The rollcall of musicians who participated in the historical sessions held in 1958 in New York recording Legrand’s idiosyncratic arrangements of jazz standards nothing short of impressive: Miles Davis, John Coltrane, Herbie Mann, Phil Woods, Eddie Costa, Bill Evans, Paul Chambers, Ben Webster, Hank Jones, Art Farmer, Donald Byrd... Upon its release in 1959, the album was met with critical acclaim. It has since undoubtedly left its mark on the history of jazz.\u003c\/span\u003e\u003c\/p\u003e","brand":"Michael Legrand, Miles Davis","offers":[{"title":"Default Title","offer_id":57596216377679,"sku":"5087","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Michel_Legrand_meets_Miles_Davis.png?v=1777548073"},{"product_id":"ascenseur-pour-lechafaud-3x10-edition","title":"Ascenseur Pour l'échafaud (3x10\" edition)","description":"\u003cp\u003e\u003cspan\u003e\u003cbig\u003eFirst released in 1958 by Fontana in Europe and Columbia in America, never had a soundtrack contributed as much to the fame of a film. The contradictory accounts of Miles Davis' creation of the soundtrack have all become part of its legend. Rarely has a soundtrack been so decisive. Close to seven decades on, beyond the myth, this taut, feverish recording, imbued with extreme dramatic tension, remains one of the most iconic soundtracks in our catalogue — and one of the only jazz soundtracks which was entirely improvised. \u003c\/big\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":57739789140303,"sku":"5116","price":39.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/93c3e142-544e-45c7-977f-f00b27f6f0e7_jpg.webp?v=1779273996"}],"url":"https:\/\/secondlinerecords.com\/collections\/decca.oembed?page=2","provider":"Second Line Records","version":"1.0","type":"link"}