{"title":"Classic Jazz","description":"","products":[{"product_id":"platinum","title":"Platinum","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOver 44 songs, 'Platinum' celebrates in a beautiful 4LP box set the 70th anniversary of Frank Sinatra signing to Capitol Records, a moment that established his standing as one of the greatest interpretive singers of all time. It features a cross-section of Sinatra's best Capitol tracks as well as sought-after vault rarities.\u003c\/span\u003e\u003c\/p\u003e","brand":"Frank Sinatra","offers":[{"title":"Default Title","offer_id":55526967083343,"sku":"3785","price":120.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Frank_Sinatra_Platinum.png?v=1752158076"},{"product_id":"l-a-is-my-lady","title":"L.A is My Lady","description":"","brand":"Frank Sinatra, Quincy Jones Orchestra","offers":[{"title":"Default Title","offer_id":55527194165583,"sku":"3789","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/7fselp93062__98685.jpg?v=1752229874"},{"product_id":"come-fly-with-me","title":"Come Fly With Me","description":"","brand":"Frank Sinatra, Billy May Orchestra","offers":[{"title":"Default Title","offer_id":55534638727503,"sku":"3790","price":27.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Frank-Sinatra-Come-Fly-With-Me-Album-Cover-web-optimised-820_jpg.webp?v=1752236315"},{"product_id":"ultimate-sinatra","title":"Ultimate Sinatra","description":"","brand":"Frank Sinatra","offers":[{"title":"Default Title","offer_id":55534850801999,"sku":"3791","price":36.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/61pV1CjxxIL._UF1000_1000_QL80.jpg?v=1752240296"},{"product_id":"sleeping-beauty-1","title":"Sleeping Beauty","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eStrut proudly presents a new edition of one of Sun Ra's most celebrated albums, Sleeping Beauty, reissued in its original artwork for the first time. Originally released in 1979 on his independent Saturn label, Sleeping Beauty captures Sun Ra and his Arkestra at their most soulful and serene. A masterclass in cosmic jazz, the album blends lush grooves, celestial soul, and meditative funk with Ra’s singular spiritual vision — a sound both grounded and otherworldly. The album emerged during an extraordinarily fertile period for Sun Ra in late-‘70s New York. Between 1978 and 1982, Ra “occupied” Variety Recording Studios on West 42nd Street, often staging marathon sessions following late-night Arkestra gigs around the city — from the Village Vanguard to Sweet Basil and even a wedding in Central Park. These were not just recordings; they were rituals. Ra and his core players — John Gilmore, Marshall Allen, June Tyson, Michael Ray, and others — would begin sessions mid-morning, often continuing past midnight, much to the dismay of the studio owner. Out of this creative whirlwind came some of his most enduring work, including A Fireside Chat With Lucifer, On Jupiter, and Sleeping Beauty. Across its three tracks, Sleeping Beauty showcases the Arkestra’s gentler side. From the dreamy sway of “Springtime Again” to the funk\u003cspan class=\"bcTruncateMore\"\u003e-deep uplift of “Door Of The Cosmos” and the title track’s meditative drift, this is music that floats, beckons, and unfolds. It’s a record of hypnotic beauty and quiet power — cosmic jazz for dreamers and seekers alike. This new edition features a selected version of the hand-drawn original cover, embossed with the Sun Ra logo and housed in a heavyweight card sleeve. Liner notes come courtesy of Arkestra member Knoel Scott and Sun Ra authority Paul Griffiths. Remastered by Technology Works. “Music is a language. You see, it’s not notes — it’s a language of the spirit. That’s why it’s so important.” – Sun Ra\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Sun Ra","offers":[{"title":"Default Title","offer_id":55671449190735,"sku":"3858","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Sun_Ra_Sleeping_Beauty.png?v=1754226259"},{"product_id":"ed-kelly-friend","title":"Ed Kelly \u0026 Friend","description":"\u003cp\u003eIn 1978 Pharoah Sanders went into the studio with pianist, Ed Kelly, who was an important figure in the local San Francisco and Oakland jazz scene. The two of them recorded six tracks which ranged from covers of standards, through soul jazz through to two real gems. The album was originally released as Ed Kelly and Friend due to Pharoah being contracted to Arista Records at the time. Indeed, as you can see, the cover shows Kelly playing next to Pharoah’s hat, shoes and Selmer tenor saxophone.\u003c\/p\u003e","brand":"Ed Kelly \u0026 Friend","offers":[{"title":"Default Title","offer_id":55734901408079,"sku":"3910","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Ed_Kelly_Friend.png?v=1755169945"},{"product_id":"live-2","title":"Live...","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003e“This is a glorious, jubilant performance that reminds us that Sanders was at his most effective communicator when he had an audience, like a righteous preacher feeling the spirit with the faithful.”\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKevin Le Gendre –\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eJazzwise March Issue\u003c\/p\u003e","brand":"Pharoah Sanders.","offers":[{"title":"Default Title","offer_id":55748397990223,"sku":"3911","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Pharoah_Sanders_Live....png?v=1755350714"},{"product_id":"live-copy","title":"At Yoshi's","description":"","brand":"George Coleman","offers":[{"title":"Default Title","offer_id":55748407558479,"sku":"3912","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/george_coleman_at_yoshi_s.png?v=1755350823"},{"product_id":"east-coasting","title":"East Coasting","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan lang=\"EN-US\"\u003eCharles Mingus\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003cspan\u003e \u003c\/span\u003e(bass) Clarence Shaw (trumpet) Jimmy Knepper (trombone) Shafi Hadi (tenor, alto saxophone) Bill Evans (piano) Dannie Richmond (drums)\u003c\/span\u003e\u003c\/p\u003e","brand":"Charles Mingus","offers":[{"title":"Default Title","offer_id":55748413522255,"sku":"3913","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Charles_Mingus_East_coasting.png?v=1755351033"},{"product_id":"presents-charles-mingus","title":"Presents Charles Mingus","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe combo here, referred to by Mingus as The Jazz Workshop, had been in residence at the Showplace on W. 4th St. in Greenwich Village for nearly a year when they entered the studio to record what became the album Charles Mingus Presents Charles Mingus in October of 1961.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSaxophone and bass clarinet Eric Dolphy, trumpeter Ted Curson, and drummer Dannie Richmond had been performing the material on this album for weeks.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMingus decided to set a mood that might resemble a night at the club, in hopes to capture the fierceness the musicians had been exploring on stage. \"I finally realized that a lot of jazz records don\"t make it because the guys almost unsoundly cage their approach in a studio from what they do every night\"? Mingus said. \"I finally wanted to make an album the way we are on the job\"?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTo recreate this atmosphere, Mingus introduces the songs as if he were speaking to the audience, giving off the illusion of a live album. The charade paid off.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eProduced by Candid co-founder, famed music critic and social activist, Nat Hentoff, the album accomplishes what the best of Mingus\"s work accomplishes; the perfect tension between jazz played as an ensemble and jazz played as totally free.\u003c\/span\u003e\u003c\/p\u003e","brand":"Charles Mingus","offers":[{"title":"Default Title","offer_id":55748416930127,"sku":"3914","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Charles_Mingus_Presents.png?v=1755352592"},{"product_id":"body-soul","title":"Body \u0026 Soul","description":"\u003cp\u003e\u003cstrong\u003eJazzwise September issue\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eby Kevin Le Gendre\u003c\/p\u003e\n\u003cp\u003eArchie Shepp is possibly one of the most prolific duo partners in jazz history, having formed memorable partnerships with the like of Max Roach, Horace Parlan, and most recently Jason Moran.\u003cbr\u003eShepp's tenor saxophone, which is raucous, rugged and smokily sensual in line with role models such as Ben Webster, has sufficient character and emotional depth to withstand an exposed setting, and the presence of masterful double bassist Richard Davis as his other musical half here is more than appropriate.\u003cbr\u003eRichard Davis has similar qualities, above all a great richness of tone that makes some of his bulbous single notes as impactful as chords, and on this live set of standards the two are on remarkable good form.\u003cbr\u003eWhether tackling Great American Songbook staples or modern jazz classics by Thelonious Monk they serve the material well and always push themselves as both accompanists and soloists. In fact, the lengthy improvisation Davis takes on `Body \u0026amp; Soul' is a tour de force of both textural invention and structural daring as his movement crashing double stops to booming glissando to bowed lines that are so explosive they sound almost like an electric guitar, is a big time showstopper.\u003c\/p\u003e","brand":"Archie Shepp \u0026 Richard Davis","offers":[{"title":"Default Title","offer_id":55748456382799,"sku":"3915","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Archie_Shepp_Richard_Davis_Body_Soul.png?v=1755352739"},{"product_id":"miles-in-berlin","title":"Miles in Berlin","description":"\u003cp\u003eAs other bands led by Miles were recorded overseas, so did the Second Great Quintet.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMiles in Berlin\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ein fact is its birth announcement—tenor saxophonist Wayne Shorter had joined just a few gigs before, and was just getting familiar with new bandmates, taking the temperature.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eShorter had arrived from Art Blakey’s Jazz Messengers, but had been recommended years before to Miles by John Coltrane. After the long delay, Miles phoned the saxophonist backstage one night in 1964 and Blakey himself answered, knowing full well why he was calling and passed the phone to Shorter. He joined just as Miles started another European tour.\u003c\/p\u003e\n\u003cp\u003eTheir second concert took place on September 25, 1964 in Berlin’s Philharmonie Hall, just west of the Berlin Wall. One can hear in the music from how hard the musicians are listening to one other, testing out ideas and starting to take chances. Take “Autumn Leaves”: Miles’ playing of the theme is teasingly abstract and filled with melodic asides—Hancock playfully runs alongside one—and then brief; his subsequent solo goes on-mic, off-mic at will, finding and all but disappears then returns with a roar. Shorter’s turn follows and its as if Miles’ solo was to show him how free he could be with the music. His solo is bouncy and jaunty, his more slivery tone a marked change from George Coleman’s and Sam Rivers’. At the end he locks into a groove with Hancock that makes it seem they’ve played together for years.\u003c\/p\u003e\n\u003cp\u003eThe magic was immediately evident. In his autobiography, Miles recalled what his old friend (and saxophonist briefly in 1959) Jimmy Heath said about the Second Great Quintet. “Man, they’re great, but I wouldn’t want to be getting up there playing with them every night. Miles, them motherfuckers are gonna set everybody on fire!”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":55753315320143,"sku":"3917","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Miles_Davis_Miles_in_Berlin.png?v=1755437872"},{"product_id":"amoroso","title":"Amoroso","description":"\u003cp\u003eWhen this album landed on the turntables in 1977, João Gilberto, the Nestor and father of bossa nova, had long enjoyed praise for his life’s work which was still far from complete. His straightforward, sometimes dry and rasping voice sounds out distinctively in the mezzo piano and forges his totally unique and personal style of playing Latin jazz with international appeal. With \"Wave\", \"Triste\", \"Caminhos Cruzados\" and \"Zingaro\" he brings together on this LP four splendid numbers by his congenial fellow countryman Antônio Carlos Jobim.\u003c\/p\u003e\n\u003cp\u003eJust how universally applicable Gilberto’s bossa mixtures are is shown by Gershwin’s hit \"’S Wonderful\", which he performs in a completely new way. In lieu of the thrilling original, a completely new version of this musical classic is created that is agreeably free of dynamic effects and filled with wide-awake declamation. The question as to whether the well-tried mix of guitar and a refined rhythm group could have done without the lush strings is answered by listening closely: Claus Ogerman’s arrangements are less a highly colourful enhancement than a carefully woven interplay of internal and opposing voices. 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As if in a dream, the musicians penetrate the apparently simple yet rhythmically complicated themes, interrupted again and again by Monk’s solo escapades on the piano. On the stage, Monk often stood up and jigged around the piano like a lumbering dancing bear, with one of his distinctive hats on his head; he plonks down on the piano stool after the Charlie Rouse solo; his enormous feet tap back and forth to the beat; he constantly fiddles with the ring on his finger; and he creates the most wonderful improvisations ever heard with his 'false' fingering.\u003cbr\u003eCalling all jazz fans: Listen to Thelonious Monk, and you will have a ball – most especially if you put this super disc with the promising title \"It’s Monks Time\" on your turntable!\u003cbr\u003e\u003cbr\u003eThis Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\u003c\/p\u003e","brand":"Thelonious Monk","offers":[{"title":"Default Title","offer_id":55753336848719,"sku":"3919","price":33.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Thelonious_Monk_It_s_Monk_s_Time.png?v=1755439313"},{"product_id":"stone-flower","title":"Stone Flower","description":"\u003cp\u003eAround the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. 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This was greatly facilitated by the groove conjured up by Herbie Hancock, Ron Carter and Jack deJohnette – who had all profited from Miles Davis’s tutoring. And let’s not forget Larry Gale, a not unknown or bad guitarist, who transported hot Jamaican rhythm to the wintery Chicago and Detroit.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTo release both versions of \"Gibraltar\" and \"Hornets\" is certainly justifiable and is hardly worth discussing, keeping in mind the greatness of the improvising soloists. (You could, for example, listen to one version on Sunday and the other on Monday!) It also makes sense to offer the two LPs, originally released separately, together, since they both deliver an important testimony of the years between 1970 and 1975 – a time when jazz aficionados of the old school were shaken to their foundations by the new electric instruments, the loudness and the fire of the new generation of musicians. 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The tracks take in spiritual jazz, post-modal impressionism and fusion for the dancefloors. Heaps of variety here in one exciting J package. CD or Triple LP (with 3 bonus tracks unavailable on CD).\u003c\/span\u003e\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":55808137036111,"sku":"4052","price":39.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/168902-various-jjazz-deep-modern-jazz-from_4f39a54c-2776-4b36-b584-eacbedd97918.jpg?v=1756307017"},{"product_id":"j-jazz-deep-modern-jazz-from-japan-volume-3","title":"Step!","description":"\u003cp\u003e\u003cspan\u003eA memorable first album by the very accomplished yet restrained artist, Naosuke Miyamoto. 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This reissue, part of the revered Wa-Jazz series, appeals to both long-time jazz aficionados and newer vinyl enthusiasts, complete with insightful liner notes that connect Sugano's legacy with the label's enduring influence.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sugano Kohiko Trio","offers":[{"title":"Default Title","offer_id":55808533528911,"sku":"4055","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/a4285803669_16.jpg?v=1756307831"},{"product_id":"girl-talk","title":"Girl Talk","description":"\u003cp\u003e\u003cspan\u003eGirl Talk completed a celebrated trilogy of albums by Tsuyoshi Yamamoto as it followed on from Midnight Sugar and Misty and solidified his standing as one of Japan's premier jazz pianists. While Yamamoto continued to record and perform with producer Takeshi \"Tee\" Fujii for over a decade, Girl Talk marked a high point in his career. Together, these three albums set a standard in Japanese jazz and recording quality. Yoshihiko Kannari's engineering at Tokyo's AOI Studios is renowned for its clarity and energy, qualities that earned Girl Talk the prestigious Swing Journal Critic Poll \"Jazz Disc\" Engineering award in 1976.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yama \u0026 Jiro's Wave","offers":[{"title":"Default Title","offer_id":55808569901391,"sku":"4056","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/a2583349386_16.jpg?v=1756308001"},{"product_id":"introducing-wayne-shorter","title":"Introducing Wayne Shorter","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eOriginally released in 1960 on Vee-Jay, \u003cem\u003eIntroducing Wayne Shorter\u003c\/em\u003e marks the debut of the legendary jazz saxophonist. 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