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'Amazonas' opens with percussive shimmer and modal drift, while 'Xibaba' and 'Mindoro' balance groove with melodic looseness. On the flip, 'Tamanco No Samba' leans into funkier syncopation, contrasting the hazy melancholy of 'Corine' and the closing slink of 'Cahuenga'. There's clarity in how each part moves-airy but assured-and the new AAA cut from the original tapes gives it warmth without excess polish. It's a joy to hear fusion this fluid, with just enough weirdness from Hermeto to keep it from coasting.\u003c\/span\u003e\u003c\/p\u003e","brand":"Cal Tjader","offers":[{"title":"Default Title","offer_id":55671372513615,"sku":"3856","price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Cal_Tjader_Amazonas.png?v=1754225846"},{"product_id":"pendulum","title":"Pendulum","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eHoly grail rarity and brit jazz gem finally gets reissued by Decca. \u003c\/span\u003e\u003cem\u003ePendulum\u003c\/em\u003e\u003cspan\u003e, the stunning debut album by Mike Taylor Quartet, was recorded for legendary British jazz producer Denis Preston at the famed Lansdowne Studios. The album is split between reworked standards arranged by Taylor on Side A (including a radical rework of Dizzy Gillespie’s A Night in Tunisia) and original compositions from Taylor on Side B. \u003c\/span\u003e\u003c\/p\u003e","brand":"Mike Taylor Quartet","offers":[{"title":"Default Title","offer_id":55689106522447,"sku":"3860","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/209626-mike-taylor-quartet-pendulum.jpg?v=1754475471"},{"product_id":"trio-1","title":"Trio","description":"\u003cdiv class=\"Description_reasons-to-buy-wrapper__0CthD\"\u003e\n\u003cdiv class=\"Content_description-wrapper__XbO9z\" data-is-open=\"true\"\u003e\n\u003cdiv class=\"Content_inner-wrapper__xBJ2L\"\u003e\n\u003cdiv class=\"Description_truncated-text__yUXZD\"\u003e\n\u003cdiv class=\"Description_descriptionBody__bEN2t\"\u003e\n\u003cdiv class=\"Description_descriptionText__Lgv7A\" data-testid=\"description-product\"\u003e\n\u003cp\u003e\u003cem\u003eTrio\u003c\/em\u003e by The Mike Taylor Trio is a 1966 album by British jazz pianist Mike Taylor, which features Taylor's distinctive blend of modern jazz with a somewhat melancholic, introspective tone. His trio, which includes Dave Tomlin on bass and Norman Fearon on drums, delivers a tight yet expressive performance with a mix of original compositions and jazz standards. The music on Trio is notable for its rich harmonic structure and Taylor's emotive, intricate piano work, which often leans toward a modal and reflective style. His improvisational approach is both delicate and exploratory, creating an atmosphere that is both intimate and contemplative. Though the album did not gain widespread commercial success at the time of its release, it has since garnered recognition for its unique voice in the British jazz scene and is considered an underrated gem by jazz enthusiasts.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mike Taylor Trio","offers":[{"title":"Default Title","offer_id":55689136603471,"sku":"3861","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/5060672889902.webp?v=1754475670"},{"product_id":"dance-with-death","title":"Dance With Death","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAndrew Hill’s 1968 album Dance With Death stands as one of the most gratifying though under-recognized sessions of the brilliant pianist’s discography featuring his singular compositions performed by a versatile quintet with Charles Tolliver, Joe Farrell, Victor Sproles, and Billy Higgins.\u003c\/span\u003e\u003c\/p\u003e","brand":"Andrew Hill","offers":[{"title":"Default Title","offer_id":55689403138383,"sku":"3865","price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/81DApzF21BL._UF1000_1000_QL80.jpg?v=1754479129"},{"product_id":"pictures-of-heath","title":"Picture Of Heath","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eOriginally titled 'Playboys' until Hugh Hefner objected, 'Picture of Health' was a 1956 album by troubled trumpeter Chet Baker and saxophonist Art Pepper. It sees them collaborate with West coast jazz luminaries such as Phil Urso and Carl Perkins and here comes re-issued from the original tapes on Tone Poet. \u003c\/p\u003e","brand":"Art Pepper, Chet Baker","offers":[{"title":"Default Title","offer_id":55689460023631,"sku":"3866","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/194701-chet-baker-art-pepper-picture-of-heath.jpg?v=1754479272"},{"product_id":"pictures-of-heath-copy","title":"Tone Poem","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e‘Tone Poem’ is the third LP by Charles Lloyd \u0026amp; The Marvels. ‘Tone Poem’ sees saxophonist Charles Lloydbacked by a quartet of guitarist Bill Frisell, Greg Leisz on pedal steel, bassist Reuben Rogers and drummer Eric Harland. They work their way through nine blues and country-flecked jazz instrumentals. It’s a mix of original compositions and versions of tunes by Ornette Coleman, Thelonious Monk, Leonard Cohen, Gabor Szabo, and Bola de Nieve.\u003c\/p\u003e","brand":"Charles Lloyd \u0026 The Marvels","offers":[{"title":"Default Title","offer_id":55689472049487,"sku":"3867","price":54.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/71AcRPBw8pL._UF1000_1000_QL80.jpg?v=1754479466"},{"product_id":"one-flight-up","title":"One Flight Up","description":"\u003cp\u003e\u003cspan\u003eDexter Gordon had been living in Europe for several years when he recorded 'One Flight Up', one of his acknowledged masterpiece albums, in Paris in June of 1964. It's all here: Dexter's magnificently huge sound, Donald Byrd in peak form on trumpet, the subtle sophistication of pianist Kenny Drew, the utter brilliance of the then-teenaged bass phenom Niels-Henning Orsted Pederson, and the rock-steady swing of drummer Art Taylor. The opening track 'Tanya' takes up the entire first side of this album at 18+ minutes, and it is a performance for the ages.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dexter Gordon","offers":[{"title":"Default Title","offer_id":55689488761167,"sku":"3868","price":42.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Gordon-Dexter-One-Flight-Up.jpg?v=1754479681"},{"product_id":"art-deco","title":"Art Deco","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eDon Cherry reunites with his bandmates Charlie Haden and Billy Higgins from the original Ornette Coleman Quartet along with ‘Teaxs tenor’ saxophonist James Clay on this stellar session from 1989. This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.\u003c\/span\u003e\u003c\/p\u003e","brand":"Don Cherry","offers":[{"title":"Default Title","offer_id":55689502949711,"sku":"3869","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/verve-don-cherry-art-deco.jpg?v=1754479881"},{"product_id":"where-is-brooklyn","title":"Where Is Brooklyn?","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eDon Eugene Cherry is best remembered for his ascent to cult-status with use of sizzling, vibrant jazz that bottled a timeless quality. In this 1966 piece, 'Where Is Brooklyn', Cherry collaborates with such names as Henry Grimes (bass) and Ed Blackwell (drums) in creating a fluid jazz journey. Chaotic jazz for vibrant night times.\u003c\/p\u003e","brand":"Don Cherry","offers":[{"title":"Default Title","offer_id":55689513599311,"sku":"3870","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/190578-don-cherry-where-is-brooklyn.jpg?v=1754479992"},{"product_id":"all-in-my-mind","title":"All In My Mind","description":"\u003cp\u003e\u003cspan\u003eAfter his return to Blue Note where he first made a name for himself with a run of classic soul-jazz albums between 1968-70, Hammond B-3 organ legend Dr. Lonnie Smith recorded All In My Mind during his 75th birthday celebration at the Jazz Standard in New York City with guitarist Jonathan Kreisberg and drummer Jonathan Blake. For the first time on vinyl, this 5-song Tone Poet Edition features spirited interpretations of songs by Wayne Shorter, Freddie Hubbard, Paul Simon, and more.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dr. Lonnie Smith","offers":[{"title":"Default Title","offer_id":55689552200015,"sku":"3871","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/09c22-drlonniesmith_allinmymind_cover.jpg?v=1754480568"},{"product_id":"herbie-nichols-trio","title":"Herbie Nichols Trio","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eAlthough they were greeted rather indifferently at the time, jazz pianist Herbie Nichols’ albums for Blue Notein the Fifties have become more acclaimed as the decades have gone by. 1956’s \u003cem\u003eHerbie Nichols Trio\u003c\/em\u003e, featuring drummer Max Roach and bassists Al McKibbon and Teddy Kotick sharing the work, is an utterly essential snapshot of Nichols’ work during this time, a collection of no-nonsense originals with a brace of standards.\u003c\/p\u003e","brand":"Herbie Nichols Trio","offers":[{"title":"Default Title","offer_id":55689563472207,"sku":"3872","price":33.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/199647-herbie-nichols-trio-herbie-nichols-trio.jpg?v=1754480751"},{"product_id":"for-django","title":"For Django","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e‘For Django’ is a 1964 album by jazz guitarist Joe Pass. The tunes on the album are either composed by, or in some way connected to, jazz guitarist Django Reinhardt. Despite this, Pass, backed by a guitar, bass and drums three-piece, puts his own stamp on the tunes, being a guitarist of some repute himself. Pass frequently played with the likes of Ella Fitzgerald and Oscar Peterson. \u003c\/p\u003e","brand":"Joe Pass","offers":[{"title":"Default Title","offer_id":55689576579407,"sku":"3873","price":42.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/190927-joe-pass-for-django.jpg?v=1754480887"},{"product_id":"extensions","title":"Extensions","description":"\u003cp\u003e\u003cspan\u003eMcCoy Tyner looked towards Africa on his stunning 1970 album Extensions, a far-reaching exploration of Black identity that marked the masterful pianist's fifth recording for Blue Note Records. After leaving John Coltrane's band, Tyner had moved from Impulse to Blue Note and made his enduring post-bop classic The Real McCoy in 1967. In the following years Tyner steadily expanded his musical scope: writing for a 9-piece ensemble on Tender Moments; exploring the textures of a piano-vibes led quartet with Bobby Hutcherson on Time for Tyner; and pushing at the boundaries of mainstream jazz on Expansions. Extensions is perhaps most notable for being the only recorded collaboration between Tyner and Alice Coltrane who plays harp on three of the album's four pieces (all composed by Tyner) along with Gary Bartz on alto saxophone, Wayne Shorter on soprano and tenor saxophone, Ron Carter on bass, and Elvin Jones on drums.\u003c\/span\u003e\u003c\/p\u003e","brand":"McCoy Tyner","offers":[{"title":"Default Title","offer_id":55689582575951,"sku":"3874","price":39.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/CS975499-01A-BIG.jpg?v=1754481069"},{"product_id":"midnight-creeper","title":"Midnight Creeper","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eA shining example of soul jazz from the late Sixties, Lou Donaldson’s \u003cem\u003eMidnight Creeper\u003c\/em\u003e was released in 1968 as his third venture on the Blue Note label. It’s one of the saxophonist’s loosest and louchest efforts, a mixture of three originals and two covers of jazz standards, recorded with two established stars in cornetist Blue Mitchell and organist Lonnie Smith, as well as the effortlessly funky percussionist Idris Muhammad and a young guitarist by the name of George Benson.\u003c\/p\u003e","brand":"Lou Donaldson","offers":[{"title":"Default Title","offer_id":55689590210895,"sku":"3875","price":39.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/200732-lou-donaldson-midnight-creeper.jpg?v=1754481197"},{"product_id":"schizophrenia","title":"Schizophrenia","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eWayne Shorter was 33 on March 10, 1967, when he recorded \u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0); text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/bluenote.lnk.to\/WayneShorter-Schizophrenia\" style=\"color: rgb(0, 0, 0); text-decoration: underline;\"\u003eSchizophrenia\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e. It was his eleventh leader date overall, his eighth for Blue Note, and first in a little over a year, after having recorded the previous seven within the 17 months following \u003cem\u003eNight Dreamer\u003c\/em\u003e in April 1964. He was 30 months into a five-and-a-half-year association with Miles Davis, who had followed a half-year hiatus in 1965 by finding steady work for the Shorter-Hancock-Carter-Williams laboratory, resulting in the music documented two months after \u003cem\u003eSchizophrenia\u003c\/em\u003e on the astonishing \u003cem\u003eSorcerer\u003c\/em\u003e, the date that clarified, as Todd Coolman wrote in the notes for \u003cem\u003eMiles Davis Quintet: 1965-‘68\u003c\/em\u003e, that Miles “had found and solidified the sound, style, and substance he had been searching for” and that the group, with Shorter as its “central compositional voice,” had become “the singular pivotal force in propelling jazz out of the bebop era and into the music of the ‘70s and beyond.”\u003c\/p\u003e","brand":"Wayne Shorter","offers":[{"title":"Default Title","offer_id":55689597878607,"sku":"3876","price":33.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/wayne-shorter-schitzophrenia-cover-1920-ljc.jpg?v=1754481278"},{"product_id":"odyssey-of-iska","title":"Odyssey Of Iska","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eReleased in 1971 but recorded the previous summer, \u003c\/span\u003e\u003cem\u003eOdyssey Of Iska\u003c\/em\u003e\u003cspan\u003e is the fourteenth album from legendary American jazz saxophonist and songwriter \u003c\/span\u003eWayne Shorter, and the final release of his early Blue Note period as he was on the verge of joining Weather Report. Featuring guitarist Gene Bertoncini, bassists Cecil McBeeand Ron Carter plus a rotating cast of percussionists, it’s a scintillating suite of avant-garde jazz.\u003c\/p\u003e","brand":"Wayne Shorter","offers":[{"title":"Default Title","offer_id":55689608593743,"sku":"3877","price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/203649-wayne-shorter-odyssey-of-iska.jpg?v=1754481495"},{"product_id":"the-all-seeing-eye","title":"The All Seeing Eye","description":"\u003cp\u003e\u003cspan\u003eOn October 15, 1965, tenor saxophone master and composer Wayne Shorter recorded 'The All Seeing Eye', a brilliant and ambitiously multi-layered album. Shorter's goal for the album was to use 'a wider range of colors and textures' while continuing his explorations of 'life and the universe and God.' Joining Shorter in his quest are Freddie Hubbard on trumpet, Grachan Moncur III on trombone, James Spaulding on alto saxophone, Herbie Hancock on piano, Ron Carter on bass, Joe Chambers on drums, and, on one track, Wayne's brother Alan Shorter on flugelhorn.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wayne Shorter","offers":[{"title":"Default Title","offer_id":55689626321231,"sku":"3878","price":42.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Wayne-Shorter-The-All-Seeing-Eye-album-cover-web-optimised-820_jpg.webp?v=1754481741"},{"product_id":"the-shape-of-jazz-to-come-2","title":"The Shape Of Jazz To Come","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003ePutting your manifesto as your album title is a risky move, but if you're a forward-thinking innovator like jazz legend Ornette Coleman, then chances are you'll pay no mind to naysayers. The future-facing LP from 1959 was arguably the first avant-garde jazz release, though some may say Charles Mingus or Cecil Taylor beat him to the punch by a few months. 'The Shape of Jazz to Come' predicted and paved way for the stranger strains of jazz (like free jazz) to come through, though this isn't some unlistenable improvised schronk fest, if you dig Eric Dolphy or later Miles Davis, then you'll be into this classic.\u003c\/p\u003e","brand":"Ornette Coleman","offers":[{"title":"Default Title","offer_id":55689837248847,"sku":"3881","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/81PEYjHNCJL._UF1000_1000_QL80.jpg?v=1754484635"},{"product_id":"change-of-the-century","title":"Change Of The Century","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eChange Of The Century was released on Atlantic Records in May 1960. It sold very well soon after its release. Recording sessions for the album took place on October 8 and 9, 1959 in New York City. The album consists of seven compositions, all by Coleman himself. We hear Coleman on alto saxophone, Don Cherry on pocket trumpet, Charlie Haden on bass and Billy Higgins on drums. \u003cem\u003eChange Of The Century\u003c\/em\u003e was recorded in early October 1959 and was released by Atlantic Records. Some songs could be classified as free jazz, but there are also compositions that could easily be considered as hard bop.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ornette Coleman","offers":[{"title":"Default Title","offer_id":55690416718159,"sku":"3886","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/field4.jpg?v=1754490801"},{"product_id":"screamin-the-blues","title":"Screamin The Blues","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eScreamin' the Blues is an apt description of the soloists' approach on this 1960 session, here reissued as an RVG remaster, the first of three matching leader Oliver Nelson with avant-gardist Eric Dolphy. Although not as well-known as Nelson's masterpiece, Blues and the Abstract Truth (1961), the date is characterized, above all, by \"generosity\" on the part of all three principals, including the underrated trumpeter Richard Williams.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNelson's tenor solo on the title tune is the equivalent of an operatic tenor aria—full-throated, dramatic, played to the back row. It alone is testimony to the remarkable player he was before putting the horn aside and arranging for everyone from Ringo Starr to Thelonious Monk to opera diva Rise Stevens. Add to these activities his film scores for Last Tango in Paris, Lady Sings the Blues, and Alfie, with a sound-track featuring Sonny Rollins, and you begin to wonder less at why he died so young than how he accomplished so much in his forty-three years.\u003c\/span\u003e\u003c\/p\u003e","brand":"Oliver Nelson","offers":[{"title":"Default Title","offer_id":55767383441743,"sku":"3928","price":39.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/8243sa-olivernelson-screamintheblues_1.jpg?v=1755689439"},{"product_id":"fitzgerald-and-pass-again","title":"Fitzgerald And Pass... Again","description":"\u003cp\u003e\u003cspan\u003eElla Fitzgerald, the First Lady of Song, and legendary jazz guitarist Joe Pass reunited for their second duet album, Fitzgerald \u0026amp; Pass... Again, originally released in 1976. This collaboration has become a jazz classic, with Fitzgerald winning the 1977 Grammy Award for Best Jazz Vocal Album for her performance. Fitzgerald's impeccable musicianship shines through, showcasing her unparalleled ability to convey the essence of a lyric. Pass complements her perfectly, displaying his virtuosity and strength as an accompanist. The album features four Duke Ellington classics, reimagined versions of 'Tis Autumn' and 'Tennessee Waltz,' and mesmerising wordless performances of 'Rain' and ''One Note Samba.' This 180-gram reissue by Analogue Productions, cut from existing metal parts mastered by Doug Sax from the original analog master tape and pressed at Quality Record Pressings, ensures optimal sound quality. The album is housed in a single pocket Stoughton Printing tip-on jacket.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ella Fitzgerald \u0026 Joe Pass","offers":[{"title":"Default Title","offer_id":55767395074383,"sku":"3929","price":36.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/R-7287135-1499322727-9952.jpg?v=1755689614"},{"product_id":"tenor-madness","title":"Tenor Madness","description":"\u003cdiv\u003e1956's\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eTenor Madness\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ewas officially the recording that established\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eSonny Rollins\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eas one of jazz's elite tenor saxophonists and it stands alongside\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cem\u003eSaxophone Collossus\u003c\/em\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eas one of his masterworks. The fact that he enlists the talents of\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMiles Davis'then rhythm section of Red Garland (piano), Paul Chambers (bass) and Philly Joe Jones for the date certainly doesn't hurt matters either.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eJohn Coltrane, who was also in Davis' group at the time, is notably featured here on the legendary title track, his only recording with Rollins. \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eTenor Madness was the recording that, once and for all, established Rollins as one of the premier tenor saxophonists, an accolade that in retrospect, has continued through six full decades and gives an indication why as a young player, Rollins was so well liked, as his fluency, whimsical nature, and solid construct of melodies and solos gave him the title of the next Coleman Hawkins or Lester Young of mainstream jazz.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eTenor Madness, using Miles Davis’ group – pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones, is the only recording of Rollins with John Coltrane, who was also in Davis’ group.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Sonny Rollins","offers":[{"title":"Default Title","offer_id":55767397957967,"sku":"3930","price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0887\/6785\/6975\/files\/Sonny_Rollins_Tenor_Madness.jpg?v=1755689761"},{"product_id":"a-celebration-of-duke","title":"A Celebration Of Duke","description":"\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003eProducer Norman Granz was an associate of Duke Ellington’s for many years, and it is not surprising that his labels have frequently hosted Ellington tributes that bring out the best in the participating world-class musicians. Although Clark Terry is the only participant in the present celebration to have logged significant time as an Ellingtonian, all hands draw sustenance from the unbeatable material here.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOf special interest are the tracks on which Zoot Sims plays soprano sax, especially the neglected “Tonight I Shall Sleep,” and Sarah Vaughan’s pair of urbane and intense vocals, accompanied only by the guitar of album-MVP Joe Pass and pianist Mike Wofford.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMastered by Kevin Gray from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180-gram reissue is everything jazz fans expect from an audiophile reissue. 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